Artist: Alphonse Mucha Czech (1860-1939)
Original stone colour lithograph, backed on Linen
Printed by Imp. F. Champenois, Paris 1898
Signed in the stone bottom right
Certificate of Authenticity.
Sheet Size: 14.5 in x 39 in / 36.8 cm x 99 cm
Price: Temporarily out of stockI can usually source this poster. If you are interested please contact me. Greg
Sold for $12,000.00 US Poster Auctions Int. NY June 2018
Sold for $6600.00 US Poster Auctions Int. NY Oct 2015
Sold for $6210.00 US Swann Auction Gallery. NY Jan 2003
The high water mark of Art Nouveau is attained in this brilliant Mucha poster which invites us to ponder each intricate design segment that in harmony creates a masterpiece.
Study for Lorenzaccio: Head of Sarah Bernhardt
"Mucha transformed unchanged this portrait study of the famous actress, with a theatrically exaggerated gesture of meditation into the resulting poster. That seems to be why Sarah's contemporaries admired the accuracy of the the rendition of her appearance.
The drawing reveals Mucha's expertise. The expression of of the actress' eyes and face defines the likeness. Her hair is emphasized, and the gesture of her hand has an important role in conveying the mood of the drawing. J.B.O." (The Spirit of Art Nouveau. P.144)
Sarah Bernhardt is Lorenzaccio
"Sarah Bernhardt in the role of Lorenzaccio (she often portrayed male characters) wrapped in thought and a brown robe. Surrounded by golden, Art Nouveau floral motifs and surmounted by a pale green dragon, Mucha chose to illustrate Lorenzacio contemplating "how to kill Alexander [who is laying seige to Florence] in order to save the town and his own honor . . . The dragon above represents the evil forces about to devour the city . . . the ornate, jewelled sword in the bottom panel . . . the possible solution. (Rennert/Weill p. 107). This is the smaller format, which Rennert/Weill points out was not printed with metallic inks and differs slightly in text from the 1896, larger format. However, Rennert/Weill do not point out the color and design differences. This piece lacks any red, and dark green, and also has fewer ornamentations than the larger format." (Swann)
Lorenzo the Magnificent (1449-1492)