Artist: Henri Meunier Belgian (1873-1922)
Title: Cafe Rajah
Plate: PL. 156
Original lithograph from "Les Maitres de L'Affiche" series.
Printed by Imprimerie Chaix, Paris, 1899.
Reference: DFP-II, 1082; Maîtres, 156; Belle Epoque 1970, 93; Belgique/Paris, 47; Weill, 95; Masters 1900, p. 91; Wine Spectator, 99; Publicité, p. 33; Graphic Design/Taschen, p. 79; PAI-XXXIV, 462
Presented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex.
Certificate of Authenticity.
Maitre Sheet Size: 11 3/8 in x 15 3/4 in 29 cm x 40 cm
Full size sold for $ 3,220 US
Poster Auctions International, N.Y. Nov. 2000
"This design for Rajah coffee is a classic of Belgian Art Nouveau poster art. It was called Meunier's 'best work' and 'a masterpiece' by L'Stampe et L'Affiche in 1898' (p.227). Appropriately, a strong coffee tone dominates the colour scheme"(Rennert, PAI-XXXI, 536)
"Henri Meunier was an artist of exceptional purity. He took flat colours in flat tints and his thick outlines from Japanese prints to construct strong and clear images: 'With two or three pure colours, he fixes an impression that penetrates and imposes itself like the truth' justly notes Demure de Beaumont."(Weill, p.60)
"As a poster designer, Meunier knew how to organize well-observed detail to create an almost musical ambiance…by compositions that are gravely meditative, clean and synthetic…
The Son of Belgian engraver Jean-Baptiste Meunier and nephew of sculptor Constantin Meunier, Henri seems to have come by his artistry in a genetic fashion. After completing brilliant studies at the academy in his native Ixelles, he went on to pursue many fields: printmaker, poster designer, graphic reporter and book binder. Oostens-Wittamer characterizes his poster work as focused on bringing out opposing light and dark values within his often large, contained, flowing masses of color" (Belle Epoque 1970 p.68)