{"title":"$150 - $500","description":"","products":[{"product_id":"ausstellung-dresden-1896","title":"Ausstellung, Dresden, 1896","description":"\u003cspan\u003eOriginal lithograph from \"\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/the-history-of-les-maitres-de-laffiche\"\u003eLes Maitres de L'Affiche\u003c\/a\u003e\"\u003c\/span\u003e\u003cspan\u003e series \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted by Imprimerie Chaix, Paris, 1897. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003eTranslation: \"Exhibition of Saxon artisanry and commercial art, Dresden, 1896, The Old City\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"While the poster flourished in France, Germany was still ignorant of it's Otto Fischer elementary rules; advertisements were only dreary enlargements of art-school productions, resolutely historical, in the purest style of Bavarian renaissance…The first poster worthy of the name did not appear until 1896 for an exposition in Dresden: Die Alte Stadt (The Old City) by Otto Fischer. For the first time the design is graphic, the colours vivid, the lettering skillfully distributed. This vision of a woman in regional costume in the foreground, with the old town in the background, broke completely with the usual allegories\" \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Weill p.95)\u003c\/a\u003e\u003c\/p\u003e","brand":"Otto Fischer","offers":[{"title":"8 1\/2 in x 11 1\/4 in 21 cm x 29 cm","offer_id":33088169050166,"sku":"PL. 68","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/68.jpg?v=1610317607"},{"product_id":"corriere-della-sera","title":"Corriere della Sera","description":"\u003cspan\u003eOriginal lithograph from the \u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/the-ricordi-portfolio\"\u003e\"Ricordi Portfolio\"\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted in Italy 1914. \u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/the-ricordi-portfolio\"\u003eView entire collection\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e(70)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 in x 20 in acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003eA pupil of Giuseppe Bertini, in Milan, Achille Beltrame was the most famous and celebrated illustrator in Italy in the first half of the 20th Century. Beltrame edited most of the cover pages of the magazine 'La Domenica del Corriere', published by the Milanese newspaper 'Il Corriere della Sera', from its foundation in 1899 until 1945.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/corriere.jpg?16662\" width=\"200\" height=\"265\" border=\"1\"\u003e\u003c\/p\u003e\n\u003ch6\u003eDate published 22 May1915\u003c\/h6\u003e\n\u003cp\u003e \u003c\/p\u003e\nThis is a selection from the very rare commemorative portfolio published by the renowned Italian printer Ricordi in 1914. The portfolio consisted of 70 lithographic plates (smaller versions) of Ricordi's greatest posters printed between 1895 and 1914. Many of the images in the series are so rare that they can be found today in no other format. In the 1870s, Ricordi opened an in-house lithography shop to promote its operas and sheet music business. Ricordi quickly became the leading lithographer in Italy and by 1895 was creating posters for other clients such as Campari, the Milan newspaper Corriere della Sera, and the Mele Department store of Naples. Under the tutelage of Adolfo Hohenstein, a brilliant stable of artists emerged at Ricordi. Artists including \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/cappiello\"\u003eCappiello\u003c\/a\u003e, \u003ca href=\"\/collections\/caldanzano\"\u003eCaldanzano\u003c\/a\u003e, \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/cavaleri\"\u003eCavaleri\u003c\/a\u003e, \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/dudovich\"\u003eDudovich\u003c\/a\u003e, \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/laskoff\"\u003eLaskoff\u003c\/a\u003e, \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/metlicovitz\"\u003eMetlicovitz\u003c\/a\u003e and \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/mataloni\"\u003eMataloni\u003c\/a\u003e brought Art Nouveau, known as Stile Liberty in Italy, to a world class level. Much like the famous Maitre de L'Affiche series created by Cheret in Paris, this portfolio celebrated the rise of the poster - which in Italy was almost single-handedly accomplished by Ricordi. (www.internationalposter.com)\n\u003cp\u003e \u003c\/p\u003e","brand":"Achille Beltrame","offers":[{"title":"10 in x 14 in 25.5 cm x 35.5 cm","offer_id":33089694761014,"sku":"R. 62","price":225.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/r_62.jpg?v=1561092358"},{"product_id":"bitter-pastore","title":"Bitter Pastore","description":"\u003cspan\u003eOriginal lithograph from the \u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/the-ricordi-portfolio\"\u003e\"Ricordi Portfolio\"\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted in Italy 1914. \u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/the-ricordi-portfolio\"\u003eView entire collection\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e(70)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 in x 20 in acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003eThis is a selection from the very rare commemorative portfolio published by the renowned Italian printer Ricordi in 1914. The portfolio consisted of 70 lithographic plates (smaller versions) of Ricordi's greatest posters printed between 1895 and 1914. Many of the images in the series are so rare that they can be found today in no other format. In the 1870s, Ricordi opened an in-house lithography shop to promote its operas and sheet music business. Ricordi quickly became the leading lithographer in Italy and by 1895 was creating posters for other clients such as Campari, the Milan newspaper Corriere della Sera, and the Mele Department store of Naples. Under the tutelage of Adolfo Hohenstein, a brilliant stable of artists emerged at Ricordi. Artists including \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/cappiello\"\u003eCappiello\u003c\/a\u003e, \u003ca href=\"\/collections\/caldanzano\"\u003eCaldanzano\u003c\/a\u003e, \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/cavaleri\"\u003eCavaleri\u003c\/a\u003e, \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/dudovich\"\u003eDudovich\u003c\/a\u003e, \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/laskoff\"\u003eLaskoff\u003c\/a\u003e, \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/metlicovitz\"\u003eMetlicovitz\u003c\/a\u003e and \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/mataloni\"\u003eMataloni\u003c\/a\u003e brought Art Nouveau, known as Stile Liberty in Italy, to a world class level. Much like the famous Maitre de L'Affiche series created by Cheret in Paris, this portfolio celebrated the rise of the poster - which in Italy was almost single-handedly accomplished by Ricordi. (www.internationalposter.com)\u003c\/p\u003e","brand":"Luigi Emilio Caldanzano","offers":[{"title":"10 in x 14 in 25.5 cm x 35.5 cm","offer_id":33089687420982,"sku":"R. 47","price":325.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/r_47.jpg?v=1561111300"},{"product_id":"lamore-dei-tre-re","title":"L'Amore dei Tre Re","description":"\u003cspan\u003eOriginal lithograph from the \u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/the-ricordi-portfolio\"\u003e\"Ricordi Portfolio\"\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted in Italy 1914. \u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/the-ricordi-portfolio\"\u003eView entire collection\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e(70)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 in x 20 in acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eL'amore dei tre re\u003c\/strong\u003e (The Love of the Three Kings) is an opera in three acts by Italo Montemezzi. Its Italian-language libretto was written by playwright Sem Benelli who based it on his play of the same title.\u003cbr\u003e\u003cbr\u003e\"The opera was first performed, to mixed reviews, at La Scala on April 10\u003c\/span\u003e\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e\u003cspan data-mce-fragment=\"1\"\u003e 1913. However, it really took off the following year at the ‘Met’ under Toscanini’s baton. The story concerns Fiora  who, for political reasons, has been forced to marry Manfredo , the son of the blind King Archibaldo (bass). Whilst her husband is away fighting a campaign on behalf of his father, Fiora takes a lover . She refuses to reveal the identity of her lover when caught unawares by her blind father-in-law and he strangles her . Knowing her lover will return to her he smears poison on her dead lips. His plan succeeds, not only for her lover, but also his son, as both kiss her lips in farewell.\" (musicweb-international.com)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Ricordi_Cover_378c0835-9a32-40c3-89fb-8557cb78a1be_480x480.jpg?v=1647485468\" alt=\"\" width=\"198\" height=\"240\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Ricordi_Cover_378c0835-9a32-40c3-89fb-8557cb78a1be_480x480.jpg?v=1647485468\"\u003e\u003c\/p\u003e\n\u003cp\u003e\"This is a selection from the very rare commemorative portfolio published by the renowned Italian printer Ricordi in 1914. The portfolio consisted of 70 lithographic plates (smaller versions) of Ricordi's greatest posters printed between 1895 and 1914. Many of the images in the series are so rare that they can be found today in no other format. In the 1870s, Ricordi opened an in-house lithography shop to promote its operas and sheet music business. Ricordi quickly became the leading lithographer in Italy and by 1895 was creating posters for other clients such as Campari, the Milan newspaper Corriere della Sera, and the Mele Department store of Naples. Under the tutelage of Adolfo Hohenstein, a brilliant stable of artists emerged at Ricordi.\u003cbr\u003e\u003cbr\u003eArtists \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/cappiello\"\u003eCappiello\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/caldanzano\"\u003eCaldanzano\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/cavaleri\"\u003eCavaleri\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/dudovich\"\u003eDudovich\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/laskoff\"\u003eLaskoff\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/metlicovitz\"\u003eMetlicovitz\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/mataloni\"\u003eMataloni\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ebrought Art Nouveau, known as Stile Liberty in Italy, to a world class level. Much like the famous Maitre de L'Affiche series created by Cheret in Paris, this portfolio celebrated the rise of the poster - which in Italy was almost single-handedly accomplished by Ricordi.\" (www.internationalposter.com)\u003c\/p\u003e","brand":"Luigi Emilio Caldanzano","offers":[{"title":"10 in x 14 in 25.5 cm x 35.5 cm","offer_id":33089714651190,"sku":"R. 48","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/r_48.jpg?v=1561111368"},{"product_id":"cabiria","title":"Cabiria","description":"\u003cspan\u003eOriginal lithograph from the \u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/the-ricordi-portfolio\"\u003e\"Ricordi Portfolio\"\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted in Italy 1914. \u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/the-ricordi-portfolio\"\u003eView entire collection\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e(70)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 in x 20 in acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003eThis is a selection from the very rare commemorative portfolio published by the renowned Italian printer Ricordi in 1914. The portfolio consisted of 70 lithographic plates (smaller versions) of Ricordi's greatest posters printed between 1895 and 1914. Many of the images in the series are so rare that they can be found today in no other format. In the 1870s, Ricordi opened an in-house lithography shop to promote its operas and sheet music business. Ricordi quickly became the leading lithographer in Italy and by 1895 was creating posters for other clients such as Campari, the Milan newspaper Corriere della Sera, and the Mele Department store of Naples. Under the tutelage of Adolfo Hohenstein, a brilliant stable of artists emerged at Ricordi. Artists including \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/cappiello\"\u003eCappiello\u003c\/a\u003e, \u003ca href=\"\/collections\/caldanzano\"\u003eCaldanzano\u003c\/a\u003e, \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/cavaleri\"\u003eCavaleri\u003c\/a\u003e, \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/dudovich\"\u003eDudovich\u003c\/a\u003e, \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/laskoff\"\u003eLaskoff\u003c\/a\u003e, \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/metlicovitz\"\u003eMetlicovitz\u003c\/a\u003e and \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/mataloni\"\u003eMataloni\u003c\/a\u003e brought Art Nouveau, known as Stile Liberty in Italy, to a world class level. Much like the famous Maitre de L'Affiche series created by Cheret in Paris, this portfolio celebrated the rise of the poster - which in Italy was almost single-handedly accomplished by Ricordi. (www.internationalposter.com)\u003c\/p\u003e","brand":"Luigi Emilio Caldanzano","offers":[{"title":"10 in x 14 in  \t25.5 cm x 35.5 cm","offer_id":20679646085174,"sku":"R. 50","price":225.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/r_50.jpg?v=1561111466"},{"product_id":"paul-hankar-architect","title":"Paul Hankar, Architect","description":"\u003cspan\u003eOriginal lithograph from \"\u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/the-history-of-les-maitres-de-laffiche\"\u003eLes Maitres de L'Affiche\u003c\/a\u003e\u003cspan\u003e\" series. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted by Imprimerie Chaix, Paris, 1897.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003eFull size sold for $ 11,500 US Poster Auctions International, N.Y. May 2007\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Crespin prepared this famous poster for his good friend the Art Nouveau architect Paul Hanker (1859-1901). Hanker is shown plying his craft in his studio at 63 rue de Facqz. Fully absorbed in the act of creating, he stands in a relaxed pose, his slippered feet quaintly crossed, lazy curl of smoke rising from his cigarette. The tools of Hankar's profession, T-squares, ruler, plumb line, become decorative framing elements. The elegant honeycomb of hexagons serves as a literal and figurative support for the architect's beige silhouette. The bees allude, no doubt, to Hankar's prodigious output. This poster was acclaimed in 1897 by the French art critic and poster artist Alexandre Demeure de Beaumont to be 'perfect' and 'among the best, if not the best of Crespin.' The watercolour preparatory work is preserved at the Musee d'Ixelles in Brussels\"\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Brussels, p.72)\u003c\/a\u003e\u003c\/p\u003e","brand":"Paul Crespin","offers":[{"title":"11 3\/8 in x 15 3\/4 in  \t29 cm x 40 cm","offer_id":20679718895670,"sku":"PL. 91","price":275.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/91.jpg?v=1610315907"},{"product_id":"francois-coppee","title":"Francois Coppee","description":"\u003cp\u003eOriginal lithograph from \"Les Contemporains Celebres\".\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003ePrinted by Publications Octave Beauchamp\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u0026amp; G. de Malherbe, Paris, 1904.\u003cbr\u003e\u003cbr\u003e\u003cspan color=\"#CC0000\" style=\"color: #cc0000;\"\u003eAlso includes\u003c\/span\u003e: Signed (in the plate) testimonial including celebrity photo and background design by Manuel Orazi, French (1860-1934) plus original biography.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBoth\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003epresented in 16 x 20 in. acid free, archival museum mats, with framing labels. Ready to frame. Shipped boxed flat via Fedex.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eCertificate of Authenticity.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/francois_coppee_cc.02.jpg?16679\" width=\"113\" height=\"145\" border=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\"François Coppée (1842-1908) French poet and dramatist. He won fame with the one-act comedy Le Passant (1869, tr. 1881), in which Sarah Bernhardt made her first successful appearance. His early verse, as in Le Reliquaire (1866), linked him with the Parnassians ; his later work, as in Les Humbles (1872), is sentimental and tells of the sorrows of the poor. La Bonne Souffrance (1898), a religious novel, was written after his return to Catholicism.\" (www.encyclopedia.com)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/pl134.jpg?16679\" width=\"65\" height=\"100\" border=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Les Contemporains Celebres, was published by Lefrevre-Utile (famed Biscuit producer) containing portraits...some of Cappiello's finest caricatures of contemporary celebrities\" (Rennert, PAI-XXXVI, 584)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Published by Lefevre-Utile and Octave Beauchamp, Paris, and distributed by G. de Malherbe, containing portraits, biographies, signed testimonials and some of Cappiello's finest caricatures of contemporary celebrities. You might be asking yourself just what do Sarah Bernhardt, Anatole France, Rejane, Granier, Massenet, Bartholdi and the Queen of Madagascar have in common? The answer is quite simple: They all love Lefevre-Utile biscuits, of course\" (Rennert, PAI-XL, 252)\u003c\/p\u003e","brand":"Leonetto Cappiello","offers":[{"title":"10 in x 12 3\/4 in  \t25.2 cm x 32.4 cm","offer_id":20679753596982,"sku":"CC.02","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/cc_02.jpg?v=1561112903"},{"product_id":"jules-lemaitre","title":"Jules Lemaitre","description":"\u003cp\u003eOriginal lithograph from \"Les Contemporains Celebres\".\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003ePrinted by Publications Octave Beauchamp\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u0026amp; G. de Malherbe, Paris, 1904.\u003cbr\u003e\u003cbr\u003e\u003cspan color=\"#CC0000\" style=\"color: #cc0000;\"\u003eAlso includes\u003c\/span\u003e: Signed (in the plate) testimonial including celebrity photo and background design by Manuel Orazi, French (1860-1934) plus original biography.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBoth\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003epresented in 16 x 20 in. acid free, archival museum mats, with framing labels. Ready to frame. Shipped boxed flat via Fedex.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eCertificate of Authenticity.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/jules.lemaitre_cc.03.jpg?16680\" width=\"93\" height=\"124\" border=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eJules Lemaître (1853–1914). The French critic, storyteller, and dramatist Jules Lemaître is remembered mainly for his uniquely personal and impressionistic style of literary criticism. An enemy of critical systems, he emphasized his individual, human perceptions of works, controlled only by knowledge and taste. He once said of Sarah Bernhardt, \"She could enter a convent, discover the North Pole, have herself inoculated with rabies, assassinate an emperor or marry a Negro king without astonishing me.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Les Contemporains Celebres, was published by Lefrevre-Utile (famed Biscuit producer) containing portraits...some of Cappiello's finest caricatures of contemporary celebrities\" (Rennert, PAI-XXXVI, 584)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Published by Lefevre-Utile and Octave Beauchamp, Paris, and distributed by G. de Malherbe, containing portraits, biographies, signed testimonials and some of Cappiello's finest caricatures of contemporary celebrities. You might be asking yourself just what do Sarah Bernhardt, Anatole France, Rejane, Granier, Massenet, Bartholdi and the Queen of Madagascar have in common? The answer is quite simple: They all love Lefevre-Utile biscuits, of course\" (Rennert, PAI-XL, 252)\u003c\/p\u003e","brand":"Leonetto Cappiello","offers":[{"title":"10 in x 12 3\/4 in  \t25.2 cm x 32.4 cm","offer_id":20679762509878,"sku":"CC.03","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/cc_03.jpg?v=1561112971"},{"product_id":"mme-rejane","title":"Mme. Rejane","description":"\u003cp\u003eOriginal lithograph from \"Les Contemporains Celebres\".\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003ePrinted by Publications Octave Beauchamp\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u0026amp; G. de Malherbe, Paris, 1904.\u003cbr\u003e\u003cbr\u003e\u003cspan color=\"#CC0000\" style=\"color: #cc0000;\"\u003eAlso includes\u003c\/span\u003e: Signed (in the plate) testimonial including celebrity photo and background design by Manuel Orazi, French (1860-1934) plus original biography.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBoth\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003epresented in 16 x 20 in. acid free, archival museum mats, with framing labels. Ready to frame. Shipped boxed flat via Fedex.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eCertificate of Authenticity.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff0000;\"\u003e\"Madame Rejane was the essence of French vivacity and animated expression appeared to be concentrated in Madame Rejane's acting, and made her unrivaled in the parts which she had made her own.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/madame.rejane_cc.03.jpg?16682\" width=\"87\" height=\"132\" border=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Madame Rejane, French actress, was born in Paris, the daughter of an actor . She was a pupil of Regnier at the Conservatoire, and took the second prize for comedy in 1874 . Her debut was made the next year, during which she played attractively a number of light—especially soubrette—parts . Her first great success was in Meilhac's Ma camarade (1883), and she soon became known as an emotional actress of rare gifts. In 1892 she married M . Porel, the director of the theatre, but the marriage was dissolved in 1905 . Her performances in Madame Sans Gene (1893) made her as well known in England and America as in Paris, and in later years she appeared in characteristic parts in both countries, being particularly successful in Zaza and La Passerelle . She opened the Theatre Rejane in Paris in 1906 . .\" (www.encyclopedia.jrank.org)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/lr-c-004_464f84e7-de3c-481f-bf77-06e4f3ed1334.jpg?16682\" width=\"71\" height=\"100\" border=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMadame Rejane illustrated for \"Le Rire\" by Cappiello. For details »\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Les Contemporains Celebres, was published by Lefrevre-Utile (famed Biscuit producer) containing portraits...some of Cappiello's finest caricatures of contemporary celebrities\" (Rennert, PAI-XXXVI, 584)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Published by Lefevre-Utile and Octave Beauchamp, Paris, and distributed by G. de Malherbe, containing portraits, biographies, signed testimonials and some of Cappiello's finest caricatures of contemporary celebrities. You might be asking yourself just what do Sarah Bernhardt, Anatole France, Rejane, Granier, Massenet, Bartholdi and the Queen of Madagascar have in common? The answer is quite simple: They all love Lefevre-Utile biscuits, of course\" (Rennert, PAI-XL, 252)\u003c\/p\u003e","brand":"Leonetto Cappiello","offers":[{"title":"10 in x 12 3\/4 in  \t25.2 cm x 32.4 cm","offer_id":20679768539190,"sku":"CC.04","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/cc_04.jpg?v=1561113056"},{"product_id":"jules-claretie","title":"Jules Claretie","description":"\u003cp\u003eOriginal lithograph from \"Les Contemporains Celebres\".\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003ePrinted by Publications Octave Beauchamp\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u0026amp; G. de Malherbe, Paris, 1904.\u003cbr\u003e\u003cbr\u003e\u003cspan color=\"#CC0000\" style=\"color: #cc0000;\"\u003eAlso includes\u003c\/span\u003e: Signed (in the plate) testimonial including celebrity photo and background design by Manuel Orazi, French (1860-1934) plus original biography.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBoth\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003epresented in 16 x 20 in. acid free, archival museum mats, with framing labels. Ready to frame. Shipped boxed flat via Fedex.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eCertificate of Authenticity.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/jules.claretie_cc.05.jpg?16683\" width=\"74\" height=\"146\" border=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJules Claretie\u003c\/strong\u003e (1840 - December 1913), was a French literary figure and director of the Théâtre Français. After studying at the lycée Bonaparte in Paris, he became a journalist, achieving great success as dramatic critic to Le Figaro and to the Opinion nationale. He was a newspaper correspondent during the Franco-German War, and during the Commune acted as staff-officer in the National Guard. In 1885 he became director of the Théâtre Français, and from that time devoted his time chiefly to its administration until his death. He was elected a member of the Académie française in 1888, and took his seat in February 1889, being received by Ernest Renan. The long list of his works includes: Histoire de la Révolution de 1870-1871 (5 vols., 1875-1876) and several plays, some of which are based on novels of his own. Claretie also wrote three operas for the music of Jules Massenet. (Encyclopædia Britannica 11th Edition)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Les Contemporains Celebres, was published by Lefrevre-Utile (famed Biscuit producer) containing portraits...some of Cappiello's finest caricatures of contemporary celebrities\" (Rennert, PAI-XXXVI, 584)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Published by Lefevre-Utile and Octave Beauchamp, Paris, and distributed by G. de Malherbe, containing portraits, biographies, signed testimonials and some of Cappiello's finest caricatures of contemporary celebrities. You might be asking yourself just what do Sarah Bernhardt, Anatole France, Rejane, Granier, Massenet, Bartholdi and the Queen of Madagascar have in common? The answer is quite simple: They all love Lefevre-Utile biscuits, of course\" (Rennert, PAI-XL, 252)\u003c\/p\u003e","brand":"Leonetto Cappiello","offers":[{"title":"10 in x 12 3\/4 in  \t25.2 cm x 32.4 cm","offer_id":20679780106294,"sku":"CC.05","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/cc_05.jpg?v=1561113170"},{"product_id":"mme-segond-weber","title":"Mme. Segond-Weber","description":"\u003cp\u003eOriginal lithograph from \"Les Contemporains Celebres\".\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003ePrinted by Publications Octave Beauchamp\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u0026amp; G. de Malherbe, Paris, 1904.\u003cbr\u003e\u003cbr\u003e\u003cspan color=\"#CC0000\" style=\"color: #cc0000;\"\u003eAlso includes\u003c\/span\u003e: Signed (in the plate) testimonial including celebrity photo and background design by Manuel Orazi, French (1860-1934) plus original biography.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBoth\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003epresented in 16 x 20 in. acid free, archival museum mats, with framing labels. Ready to frame. Shipped boxed flat via Fedex.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eCertificate of Authenticity.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/mme.sgond_weber.cc.06.jpg?16684\" width=\"79\" height=\"124\" border=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEugénie Segond-Weber\u003c\/strong\u003e, French actor (1867, Paris - 1945) Her real name was Caroline-Eugénie Weber. Daughter of Charles Weber, who was secretary to the politician Edouard Lockroy and led the 66th batillion during the Commune. Her father died in 1871. In 1883 she entered the Conservatoire and in 1885 she was engaged at the Odeon. On June 1st, 1887 she joined the Comédie-Française and her career as a tragic actress would last until 1944. She died in 1945 and was buried at Père Lachaise in Paris, not far from the great tragic actor Talma. The painter Pierre Segond-Weber is her son. (The Androom Archives)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Les Contemporains Celebres, was published by Lefrevre-Utile (famed Biscuit producer) containing portraits...some of Cappiello's finest caricatures of contemporary celebrities\" (Rennert, PAI-XXXVI, 584)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Published by Lefevre-Utile and Octave Beauchamp, Paris, and distributed by G. de Malherbe, containing portraits, biographies, signed testimonials and some of Cappiello's finest caricatures of contemporary celebrities. You might be asking yourself just what do Sarah Bernhardt, Anatole France, Rejane, Granier, Massenet, Bartholdi and the Queen of Madagascar have in common? The answer is quite simple: They all love Lefevre-Utile biscuits, of course\" (Rennert, PAI-XL, 252)\u003c\/p\u003e","brand":"Leonetto Cappiello","offers":[{"title":"10 in x 12 3\/4 in  \t25.2 cm x 32.4 cm","offer_id":20679783448630,"sku":"CC.06","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/cc_06.jpg?v=1561113231"},{"product_id":"jean-richepin","title":"Jean Richepin","description":"\u003cp\u003eOriginal lithograph from \"Les Contemporains Celebres\".\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003ePrinted by Publications Octave Beauchamp\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u0026amp; G. de Malherbe, Paris, 1904.\u003cbr\u003e\u003cbr\u003e\u003cspan color=\"#CC0000\" style=\"color: #cc0000;\"\u003eAlso includes\u003c\/span\u003e: Signed (in the plate) testimonial including celebrity photo and background design by Manuel Orazi, French (1860-1934) plus original biography.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBoth\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003epresented in 16 x 20 in. acid free, archival museum mats, with framing labels. Ready to frame. Shipped boxed flat via Fedex.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eCertificate of Authenticity.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/jean.richepin_cc.07.jpg?16685\" width=\"82\" height=\"126\" border=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJean Richepin\u003c\/strong\u003e (1849–1926). French poet, dramatist, and novelist Jean Richepin examined the lower levels of society in sharp, bold language. As Émile Zola revolutionized the novel by introducing naturalism in the late 19th century, Richepin did the same for French poetry during that period. (www.student.britannica.com)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Les Contemporains Celebres, was published by Lefrevre-Utile (famed Biscuit producer) containing portraits...some of Cappiello's finest caricatures of contemporary celebrities\" (Rennert, PAI-XXXVI, 584)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Published by Lefevre-Utile and Octave Beauchamp, Paris, and distributed by G. de Malherbe, containing portraits, biographies, signed testimonials and some of Cappiello's finest caricatures of contemporary celebrities. You might be asking yourself just what do Sarah Bernhardt, Anatole France, Rejane, Granier, Massenet, Bartholdi and the Queen of Madagascar have in common? The answer is quite simple: They all love Lefevre-Utile biscuits, of course\" (Rennert, PAI-XL, 252)\u003c\/p\u003e","brand":"Leonetto Cappiello","offers":[{"title":"10 in x 12 3\/4 in  \t25.2 cm x 32.4 cm","offer_id":20679787642934,"sku":"CC.07","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/cc_07.jpg?v=1561113294"},{"product_id":"mme-marthe-brandes","title":"Mme. Marthe Brandes","description":"\u003cp\u003eOriginal lithograph from \"Les Contemporains Celebres\".\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003ePrinted by Publications Octave Beauchamp\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u0026amp; G. de Malherbe, Paris, 1904.\u003cbr\u003e\u003cbr\u003e\u003cspan color=\"#CC0000\" style=\"color: #cc0000;\"\u003eAlso includes\u003c\/span\u003e: Signed (in the plate) testimonial including celebrity photo and background design by Manuel Orazi, French (1860-1934) plus original biography.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBoth\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003epresented in 16 x 20 in. acid free, archival museum mats, with framing labels. Ready to frame. Shipped boxed flat via Fedex.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eCertificate of Authenticity.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Marthe.Brandes_cc.08.jpg?16686\" width=\"168\" height=\"233\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarthe Brandès\u003c\/strong\u003e, (1862-1930) was a French actress and became a member of the Comedie-Francaise in 1896. She also played at the Theatre de la Renaissance. By embodying the great love for femmes fatales, she created many roles for Alexandre Dumas, Georges de Porto-Rich and Paul Bourget.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Les Contemporains Celebres, was published by Lefrevre-Utile (famed Biscuit producer) containing portraits...some of Cappiello's finest caricatures of contemporary celebrities\" (Rennert, PAI-XXXVI, 584)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Published by Lefevre-Utile and Octave Beauchamp, Paris, and distributed by G. de Malherbe, containing portraits, biographies, signed testimonials and some of Cappiello's finest caricatures of contemporary celebrities. You might be asking yourself just what do Sarah Bernhardt, Anatole France, Rejane, Granier, Massenet, Bartholdi and the Queen of Madagascar have in common? The answer is quite simple: They all love Lefevre-Utile biscuits, of course\" (Rennert, PAI-XL, 252)\u003c\/p\u003e","brand":"Leonetto Cappiello","offers":[{"title":"10 in x 12 3\/4 in  \t25.2 cm x 32.4 cm","offer_id":20679790198838,"sku":"CC.08","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/cc_08.jpg?v=1561113350"},{"product_id":"coquelin-aine","title":"Coquelin Aine","description":"\u003cp\u003eOriginal lithograph from \"Les Contemporains Celebres\".\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003ePrinted by Publications Octave Beauchamp\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u0026amp; G. de Malherbe, Paris, 1904.\u003cbr\u003e\u003cbr\u003e\u003cspan color=\"#CC0000\" style=\"color: #cc0000;\"\u003eAlso includes\u003c\/span\u003e: Signed (in the plate) testimonial including celebrity photo and background design by Manuel Orazi, French (1860-1934) plus original biography.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBoth\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003epresented in 16 x 20 in. acid free, archival museum mats, with framing labels. Ready to frame. Shipped boxed flat via Fedex.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eCertificate of Authenticity.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/coquelin_aine.cc.09.jpg?16687\" width=\"80\" height=\"124\" border=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCoquelin Aîné\u003c\/strong\u003e (1841-1909) French actor of unusual range and versatility. Coquelin studied acting at the Conservatoire in 1859 and in 1860 made his debut at the Comédie-Française. At the age of 23 he was a full member of the company. Mascarille in Molière's Étourdi and Figaro, comic valets of brilliant exuberancy, were his greatest parts in the classical repertory. (www.britannica.com)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Les Contemporains Celebres, was published by Lefrevre-Utile (famed Biscuit producer) containing portraits...some of Cappiello's finest caricatures of contemporary celebrities\" (Rennert, PAI-XXXVI, 584)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Published by Lefevre-Utile and Octave Beauchamp, Paris, and distributed by G. de Malherbe, containing portraits, biographies, signed testimonials and some of Cappiello's finest caricatures of contemporary celebrities. You might be asking yourself just what do Sarah Bernhardt, Anatole France, Rejane, Granier, Massenet, Bartholdi and the Queen of Madagascar have in common? The answer is quite simple: They all love Lefevre-Utile biscuits, of course\" (Rennert, PAI-XL, 252)\u003c\/p\u003e","brand":"Leonetto Cappiello","offers":[{"title":"10 in x 12 3\/4 in  \t25.2 cm x 32.4 cm","offer_id":20679801634870,"sku":"CC.09","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/cc_09.jpg?v=1561113429"},{"product_id":"mme-jeanne-granier","title":"Mme. Jeanne Granier","description":"\u003cp\u003eOriginal lithograph from \"Les Contemporains Celebres\".\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003ePrinted by Publications Octave Beauchamp\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u0026amp; G. de Malherbe, Paris, 1904.\u003cbr\u003e\u003cbr\u003e\u003cspan color=\"#CC0000\" style=\"color: #cc0000;\"\u003eAlso includes\u003c\/span\u003e: Signed (in the plate) testimonial including celebrity photo and background design by Manuel Orazi, French (1860-1934) plus original biography.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBoth\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003epresented in 16 x 20 in. acid free, archival museum mats, with framing labels. Ready to frame. Shipped boxed flat via Fedex.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eCertificate of Authenticity.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/jeanne_granier.cc.10.jpg?16689\" width=\"119\" height=\"160\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJeanne Granier\u003c\/strong\u003e (1852-1939), was a renowned French actress and opera singer at the turn of the century. In \"My lives and Loves\" the infamous author Frank Harris tells of a memorable evening in which she entertained a party including himself, Randolph Churchill and Edward, Prince of Wales.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/lr-c-006.jpg?16689\" width=\"72\" height=\"100\" border=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eJeanne Granier illustrated for \"Le Rire\" by Cappiello. For details »\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Les Contemporains Celebres, was published by Lefrevre-Utile (famed Biscuit producer) containing portraits...some of Cappiello's finest caricatures of contemporary celebrities\" (Rennert, PAI-XXXVI, 584)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Published by Lefevre-Utile and Octave Beauchamp, Paris, and distributed by G. de Malherbe, containing portraits, biographies, signed testimonials and some of Cappiello's finest caricatures of contemporary celebrities. You might be asking yourself just what do Sarah Bernhardt, Anatole France, Rejane, Granier, Massenet, Bartholdi and the Queen of Madagascar have in common? The answer is quite simple: They all love Lefevre-Utile biscuits, of course\" (Rennert, PAI-XL, 252)\u003c\/p\u003e","brand":"Leonetto Cappiello","offers":[{"title":"10 in x 12 3\/4 in  \t25.2 cm x 32.4 cm","offer_id":20679811104822,"sku":"CC.10","price":450.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/cc_10.jpg?v=1561113499"},{"product_id":"mounet-sully","title":"Mounet-Sully","description":"\u003cp\u003eOriginal lithograph from \"Les Contemporains Celebres\".\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003ePrinted by Publications Octave Beauchamp\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u0026amp; G. de Malherbe, Paris, 1904.\u003cbr\u003e\u003cbr\u003e\u003cspan color=\"#CC0000\" style=\"color: #cc0000;\"\u003eAlso includes\u003c\/span\u003e: Signed (in the plate) testimonial including celebrity photo and background design by Manuel Orazi, French (1860-1934) plus original biography.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBoth\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003epresented in 16 x 20 in. acid free, archival museum mats, with framing labels. Ready to frame. Shipped boxed flat via Fedex.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eCertificate of Authenticity.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/mounet_sully.cc11.gif?16690\" width=\"130\" height=\"179\" border=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJean Mounet-Sully\u003c\/strong\u003e (1841-1916) was the definitive Oedipus of the 19th-century French stage and arguably of the European stage of that entire century. He was a gifted tragedian who played all the major roles, including Hamlet and Lear, but who had a deep personal identification with Oedipus. While Freud was studying in Paris with Jean Charcot at the Salpêtrière, he saw Mounet-Sully in a performance of Oedipe Roiwhich, according to Freud's biographer Ernest Jones, \"made a deep impression on him\". He enjoyed brilliant success as an actor in Paris, becoming a sociétaire of the Comédie Française and later its august doyen. In 1909, he played the part of Jesus in the silent film The Kiss of Judas. (Richard H. Armstrong 1998)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Les Contemporains Celebres, was published by Lefrevre-Utile (famed Biscuit producer) containing portraits...some of Cappiello's finest caricatures of contemporary celebrities\" (Rennert, PAI-XXXVI, 584)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Published by Lefevre-Utile and Octave Beauchamp, Paris, and distributed by G. de Malherbe, containing portraits, biographies, signed testimonials and some of Cappiello's finest caricatures of contemporary celebrities. You might be asking yourself just what do Sarah Bernhardt, Anatole France, Rejane, Granier, Massenet, Bartholdi and the Queen of Madagascar have in common? The answer is quite simple: They all love Lefevre-Utile biscuits, of course\" (Rennert, PAI-XL, 252)\u003c\/p\u003e","brand":"Leonetto Cappiello","offers":[{"title":"10 in x 12 3\/4 in  \t25.2 cm x 32.4 cm","offer_id":20679817265206,"sku":"CC.11","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/cc_11.jpg?v=1561113560"},{"product_id":"mme-jane-hading","title":"Mme. Jane Hading","description":"\u003cp\u003eOriginal lithograph from \"Les Contemporains Celebres\".\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003ePrinted by Publications Octave Beauchamp\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u0026amp; G. de Malherbe, Paris, 1904.\u003cbr\u003e\u003cbr\u003e\u003cspan color=\"#CC0000\" style=\"color: #cc0000;\"\u003eAlso includes\u003c\/span\u003e: Signed (in the plate) testimonial including celebrity photo and background design by Manuel Orazi, French (1860-1934) plus original biography.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBoth\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003epresented in 16 x 20 in. acid free, archival museum mats, with framing labels. Ready to frame. Shipped boxed flat via Fedex.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eCertificate of Authenticity.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/jane_hading.cc12.jpg?16691\" width=\"142\" height=\"190\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJane Hading\u003c\/strong\u003e (1859-1934), French actress, whose real name was Jeanne Alfredine Trefouret, was born in Marseilles, where her father was an actor at the Gymnase. She was trained at the local Conservatoire and was engaged in 1873 for the theatre at Algiers, and afterwards for the Khedivial theatre at Cairo. Expectations had been raised by her voice, and when she returned to Marseilles she sang in operetta, besides acting in Ruy Blas. Her Paris debut was in La Chaste Suzanne at the Palais Royal, and she was again heard in operetta at the Renaissance. In 1883 she had a great success at the Gymnase in Le Maitre de forges. In 1884 she married Victor Koning (1842-1894), the manager of that theatre, but divorced him in 1887. In 1888 she toured America with Coquelin, and on her return helped to give success to Lavedan's Prince d'Aurec, at the Vaudeville. Her reputation as one of the leading actresses of the day was now established not only in France but in America and England. (www.1911encyclopedia.org\/Jane_Hading)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Les Contemporains Celebres, was published by Lefrevre-Utile (famed Biscuit producer) containing portraits...some of Cappiello's finest caricatures of contemporary celebrities\" (Rennert, PAI-XXXVI, 584)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Published by Lefevre-Utile and Octave Beauchamp, Paris, and distributed by G. de Malherbe, containing portraits, biographies, signed testimonials and some of Cappiello's finest caricatures of contemporary celebrities. You might be asking yourself just what do Sarah Bernhardt, Anatole France, Rejane, Granier, Massenet, Bartholdi and the Queen of Madagascar have in common? The answer is quite simple: They all love Lefevre-Utile biscuits, of course\" (Rennert, PAI-XL, 252)\u003c\/p\u003e","brand":"Leonetto Cappiello","offers":[{"title":"10 in x 12 3\/4 in  \t25.2 cm x 32.4 cm","offer_id":20679845347382,"sku":"CC.12","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/cc_12.jpg?v=1561113753"},{"product_id":"mme-delna","title":"Mme. Delna","description":"\u003cp\u003eOriginal lithograph from \"Les Contemporains Celebres\".\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003ePrinted by Publications Octave Beauchamp\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u0026amp; G. de Malherbe, Paris, 1904.\u003cbr\u003e\u003cbr\u003e\u003cspan color=\"#CC0000\" style=\"color: #cc0000;\"\u003eAlso includes\u003c\/span\u003e: Signed (in the plate) testimonial including celebrity photo and background design by Manuel Orazi, French (1860-1934) plus original biography.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBoth\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003epresented in 16 x 20 in. acid free, archival museum mats, with framing labels. Ready to frame. Shipped boxed flat via Fedex.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eCertificate of Authenticity.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Maria_Delna.cc13.jpg?16692\" width=\"87\" height=\"129\" border=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMarie Delna (1875-1932) The French mezzo-soprano, (Marie Ledan), studied with Calvé's teacher. She may have lacked the passion of an Italian, but her singing is beautifully smooth, refined and is highly impressive on her Pathé recordings. She enjoyed considerable success during her career, mainly in Paris (1892-1914). French contralto Marie Delna (1875-1932) She created no less than nine roles for the Opéra-Comique where she was a favorite with the audiences.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Les Contemporains Celebres, was published by Lefrevre-Utile (famed Biscuit producer) containing portraits...some of Cappiello's finest caricatures of contemporary celebrities\" (Rennert, PAI-XXXVI, 584)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Published by Lefevre-Utile and Octave Beauchamp, Paris, and distributed by G. de Malherbe, containing portraits, biographies, signed testimonials and some of Cappiello's finest caricatures of contemporary celebrities. You might be asking yourself just what do Sarah Bernhardt, Anatole France, Rejane, Granier, Massenet, Bartholdi and the Queen of Madagascar have in common? The answer is quite simple: They all love Lefevre-Utile biscuits, of course\" (Rennert, PAI-XL, 252)\u003c\/p\u003e","brand":"Leonetto Cappiello","offers":[{"title":"10 in x 12 3\/4 in  \t25.2 cm x 32.4 cm","offer_id":20679855046710,"sku":"CC.13","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/cc_13.jpg?v=1561113938"},{"product_id":"alfred-capus","title":"Alfred Capus","description":"\u003cp\u003eOriginal lithograph from \"Les Contemporains Celebres\".\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003ePrinted by Publications Octave Beauchamp\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u0026amp; G. de Malherbe, Paris, 1904.\u003cbr\u003e\u003cbr\u003e\u003cspan color=\"#CC0000\" style=\"color: #cc0000;\"\u003eAlso includes\u003c\/span\u003e: Signed (in the plate) testimonial including celebrity photo and background design by Manuel Orazi, French (1860-1934) plus original biography.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBoth\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003epresented in 16 x 20 in. acid free, archival museum mats, with framing labels. Ready to frame. Shipped boxed flat via Fedex.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eCertificate of Authenticity.\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/alfred_capus.cc14.jpg?16693\" width=\"134\" height=\"136\" border=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAlfred Capus (1858-1922) was a French author, who was born at Aix-en-Provence. In 1878 he published a volume of short stories, and in the next year the two produced a one-act piece, \"Le Mari malgre lui\", at the Théâtre Cluny. He had been educated as an engineer, but became a journalist, and joined the staff of the Figaro newspaper in 1894. His novels, \"Qui perd gagne\" (1890), \"Faux Depart\" (1891), \"Année des d'aventures\" (1895) describe the struggles of three young men at the beginning of their career. From the first of these he took his first comedy, \"Brignol et sa fille\". (www.logosquotes.org)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Les Contemporains Celebres, was published by Lefrevre-Utile (famed Biscuit producer) containing portraits...some of Cappiello's finest caricatures of contemporary celebrities\" (Rennert, PAI-XXXVI, 584)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Published by Lefevre-Utile and Octave Beauchamp, Paris, and distributed by G. de Malherbe, containing portraits, biographies, signed testimonials and some of Cappiello's finest caricatures of contemporary celebrities. You might be asking yourself just what do Sarah Bernhardt, Anatole France, Rejane, Granier, Massenet, Bartholdi and the Queen of Madagascar have in common? The answer is quite simple: They all love Lefevre-Utile biscuits, of course\" (Rennert, PAI-XL, 252)\u003c\/p\u003e","brand":"Leonetto Cappiello","offers":[{"title":"10 in x 12 3\/4 in  \t25.2 cm x 32.4 cm","offer_id":20679856455734,"sku":"CC.14","price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/cc_14.jpg?v=1561113997"},{"product_id":"coquelin-cadet","title":"Coquelin Cadet","description":"\u003cspan\u003efrom \"\u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/the-history-of-le-rire\"\u003eLe Rire\u003c\/a\u003e\u003cspan\u003e\" \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOriginal page from the satirical weekly magazine, Printed in Paris 4\/2\/1898, no. 222.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003e\"The French actor known as Coquelin made his debut at the Comedie Francais in 1860 and achieved fame in classic roles, such as the valet in Figaro. He made an extensive tour of Europe and America in 1886. In 1897 he created his greatest characterization, the title role of Cyrano de Bergerac, at the Theâtre de la Porte-Saint-Martin, which he also managed. In 1900 he toured the United States with Sarah Bernhardt and returned to Paris to play opposite her. Highly critical and analytical towards his art, and believing in simulated rather than real emotions\" \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Columbia Encyc.)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"In 1898 when he (Leonetto Cappiello) decided to pay a visit to his older brother who happened to be working for the Paris Stock exchange. Leonetto found Paris exciting, and wanted to stay longer, which meant he had to find a way to support himself. He approached two famous compatriots who happened to be in town, actor Novelli and composer Puccini, asked them to let him sketch their caricatures. They obliged, and Cappiello submitted the drawings to the humour magazine \"Le Rire\" they were promptly accepted, and were so well received by the public that he became, virtually overnight, the favoured artist of the Paris Theatre\" \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Rennert PAI-IX)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOne of the magazines asked him to prepare his first poster (Le Frou Frou) for which he used the style of his \"Le Rire\" work, simple drawing and flat colour. From that point on he was inundated with commissions for posters. These early works he did for \"Le Rire\" were instrumental in the start of his career, and thus their importance to the serious collector cannot be overestimated.\u003c\/p\u003e","brand":"Leonetto Cappiello","offers":[{"title":"9 in x 12 in  \t23 cm x 31 cm","offer_id":20679872217142,"sku":"LR C2","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/lr-c-002.jpg?v=1561114147"},{"product_id":"balthy-et-fordyce-a-la-scala","title":"Balthy et Fordyce a la Scala","description":"\u003cspan\u003efrom \"\u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/the-history-of-le-rire\"\u003eLe Rire\u003c\/a\u003e\u003cspan\u003e\" \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOriginal page from the satirical weekly magazine, Printed in Paris 27\/03\/1899.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003eLouise Balthy (1869-1926) was a remarkably talented performer who trained in ballet but broke into show business with comic songs, which secured her an engagement at the Eldorado at the age of 17. She was a native of Bayonne near the Spanish border. At the time he portraits her, she was much in demand as a star of lavish revues and spectacles\" (Wine Spectator 182)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"In 1898 when he (Leonetto Cappiello) decided to pay a visit to his older brother who happened to be working for the Paris Stock exchange. Leonetto found Paris exciting, and wanted to stay longer, which meant he had to find a way to support himself. He approached two famous compatriots who happened to be in town, actor Novelli and composer Puccini, asked them to let him sketch their caricatures. They obliged, and Cappiello submitted the drawings to the humour magazine \"Le Rire\" they were promptly accepted, and were so well received by the public that he became, virtually overnight, the favoured artist of the Paris Theatre\" (Rennert PAI-IX)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOne of the magazines asked him to prepare his first poster (Le Frou Frou) for which he used the style of his \"Le Rire\" work, simple drawing and flat colour. From that point on he was inundated with commissions for posters. These early works he did for \"Le Rire\" were instrumental in the start of his career, and thus their importance to the serious collector cannot be overestimated.\u003c\/p\u003e","brand":"Leonetto Cappiello","offers":[{"title":"9 in x 12 in  \t23 cm x 31 cm","offer_id":20679879032886,"sku":"LR C3","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/lr-c-003.jpg?v=1561114209"},{"product_id":"mme-rejane-1","title":"Mme.Rejane","description":"\u003cspan\u003efrom \"\u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/the-history-of-le-rire\"\u003eLe Rire\u003c\/a\u003e\u003cspan\u003e\" \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOriginal page from the satirical weekly magazine, Printed in Paris 23\/07\/1898, no.194\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003e\"Cappiello attempted to capture the effervescent quality of Mme. Rejane, one of the top draws of her day. A contemporary and rival of Sarah Bernhardt, Rejane actually Gabrielle Reju (1857-1920), studied acting at the Conservatory, and made her debut at the Theâtre de Vaudeville in 1892, she married its director, Mr. Porel. She tackled any kind of role, from light comedies to classic drama, but proved to be at her best in playing women of passion\" (Wine Spectator 187)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"In 1898 when he (Leonetto Cappiello) decided to pay a visit to his older brother who happened to be working for the Paris Stock exchange. Leonetto found Paris exciting, and wanted to stay longer, which meant he had to find a way to support himself. He approached two famous compatriots who happened to be in town, actor Novelli and composer Puccini, asked them to let him sketch their caricatures. They obliged, and Cappiello submitted the drawings to the humour magazine \"Le Rire\" they were promptly accepted, and were so well received by the public that he became, virtually overnight, the favoured artist of the Paris Theatre\"(Rennert PAI-IX)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOne of the magazines asked him to prepare his first poster (Le Frou Frou) for which he used the style of his \"Le Rire\" work, simple drawing and flat colour. From that point on he was inundated with commissions for posters. These early works he did for \"Le Rire\" were instrumental in the start of his career, and thus their importance to the serious collector cannot be overestimated.\u003c\/p\u003e","brand":"Leonetto Cappiello","offers":[{"title":"9 in x 12 in  \t23 cm x 31 cm","offer_id":20679932215350,"sku":"LR C4","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/lr-c-004.jpg?v=1561114620"},{"product_id":"la-belle-otero","title":"La Belle Otero","description":"\u003cspan\u003efrom \"\u003c\/span\u003e\u003ca href=\"\/pages\/the-history-of-le-rire\"\u003eLe Rire\u003c\/a\u003e\u003cspan\u003e\" \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOriginal page from the satirical weekly magazine, Printed in Paris 10\/09\/1898, no.200.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003e\"Caroline Otero, known as La Belle Otero, lived to be almost 100 years old and she took pride in the belief, or perhaps the fact, that men's faces 'light with desire' as they pass by. Born in Cadiz in 1869 (she died in1965), she was both a dancer and a singer. She made her debut in 1889 and performed in cafes, singing and dancing, throughout Europe and America. She even sang the title role in Carmen (and one may be certain she danced it also!) in 1912 at the Opera-Comique\" (Dance Posters 24)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"In 1898 when he (Leonetto Cappiello) decided to pay a visit to his older brother who happened to be working for the Paris Stock exchange. Leonetto found Paris exciting, and wanted to stay longer, which meant he had to find a way to support himself. He approached two famous compatriots who happened to be in town, actor Novelli and composer Puccini, asked them to let him sketch their caricatures. They obliged, and Cappiello submitted the drawings to the humour magazine \"Le Rire\" they were promptly accepted, and were so well received by the public that he became, virtually overnight, the favoured artist of the Paris Theatre\" (Rennert PAI-IX)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOne of the magazines asked him to prepare his first poster (Le Frou Frou) for which he used the style of his \"Le Rire\" work, simple drawing and flat colour. From that point on he was inundated with commissions for posters. These early works he did for \"Le Rire\" were instrumental in the start of his career, and thus their importance to the serious collector cannot be overestimated.\u003c\/p\u003e","brand":"Leonetto Cappiello","offers":[{"title":"9 in x 12 in  \t23 cm x 31 cm","offer_id":20679939096630,"sku":"LR C5","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/lr-c-005.jpg?v=1561114683"},{"product_id":"jeanne-granier","title":"Jeanne Granier","description":"\u003cspan\u003efrom \"\u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/the-history-of-le-rire\"\u003eLe Rire\u003c\/a\u003e\u003cspan\u003e\" \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOriginal page from the satirical weekly magazine, Printed in Paris 3\/12\/1898.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003eJeanne Granier was a renowned French actress and opera singer at the turn of the century. In \"My lives and Loves\" the infamous author Frank Harris tells of a memorable evening in which she entertained a party including himself, Randolph Churchill and Edward, Prince of Wales.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"In 1898 when he (Leonetto Cappiello) decided to pay a visit to his older brother who happened to be working for the Paris Stock exchange. Leonetto found Paris exciting, and wanted to stay longer, which meant he had to find a way to support himself. He approached two famous compatriots who happened to be in town, actor Novelli and composer Puccini, asked them to let him sketch their caricatures. They obliged, and Cappiello submitted the drawings to the humour magazine \"Le Rire\" they were promptly accepted, and were so well received by the public that he became, virtually overnight, the favoured artist of the Paris Theatre\" (Rennert PAI-IX)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOne of the magazines asked him to prepare his first poster (Le Frou Frou) for which he used the style of his \"Le Rire\" work, simple drawing and flat colour. From that point on he was inundated with commissions for posters. These early works he did for \"Le Rire\" were instrumental in the start of his career, and thus their importance to the serious collector cannot be overestimated.\u003c\/p\u003e","brand":"Leonetto Cappiello","offers":[{"title":"9 in x 12 in  \t23 cm x 31 cm","offer_id":20679946666038,"sku":"LR C6","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/lr-c-006.jpg?v=1561114748"},{"product_id":"marguerite-delval","title":"Marguerite Delval","description":"\u003cspan\u003efrom \"\u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/the-history-of-le-rire\"\u003eLe Rire\u003c\/a\u003e\u003cspan\u003e\" \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOriginal page from the satirical weekly magazine, Printed in Paris ca. 1899\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003e\"In 1898 when he (Leonetto Cappiello) decided to pay a visit to his older brother who happened to be working for the Paris Stock exchange. Leonetto found Paris exciting, and wanted to stay longer, which meant he had to find a way to support himself. He approached two famous compatriots who happened to be in town, actor Novelli and composer Puccini, asked them to let him sketch their caricatures. They obliged, and Cappiello submitted the drawings to the humour magazine \"Le Rire\" they were promptly accepted, and were so well received by the public that he became, virtually overnight, the favoured artist of the Paris Theatre.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOne of the reasons for the reasons for his quick acceptance was that his sketches were never offensive. Usually artists would grossly distort their subjects' features to ridicule them (including Toulouse-Lautrec), Cappiello only used subtle exaggeration to spotlight their outstanding characteristics. For that reason, he was able to do what other artists were not permitted, to sketch some of the foremost ladies (and gentleman) of the stage, who previously would never hear of allowing themselves to be submitted to such treatment. Thereafter Cappiello's drawings were routinely seen in at least a dozen of the many magazines that proliferated in Paris during this era\" \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Rennert PAI-IX)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOne of the magazines asked him to prepare his first poster (Le Frou Frou) for which he used the style of his \"Le Rire\" work, simple drawing and flat colour. From that point on he was inundated with commissions for posters. These early works he did for \"Le Rire\" were instrumental in the start of his career, and thus their importance to the serious collector cannot be overestimated.\u003c\/p\u003e","brand":"Leonetto Cappiello","offers":[{"title":"9 in x 12 in  \t23 cm x 31 cm","offer_id":20679963410486,"sku":"LR C9","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/lr-c-009.jpg?v=1561114937"},{"product_id":"lidia","title":"Lidia","description":"\u003cspan\u003eOriginal lithograph from \"\u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/the-history-of-les-maitres-de-laffiche\"\u003eLes Maitres de L'Affiche\u003c\/a\u003e\u003cspan\u003e\" series. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted by Imprimerie Chaix, Paris, 1896. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003e\"Using only her last name Lily de Lidia graced some of the most popular music-hall stages of the day with her 'gommeuse' (double-jointed) act. This poster announces Lidia's appearance at the outdoor Alcazar d'Ete. Cheret depicts the artiste…in a half-length view that's rare for him. Her expression is winsome, the creamy expanse of her decolletage appealing, and the overall design full of movement, from the sweeping ribbons of her hat to the swaying letters of her name\" \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Gold p.120)\u003c\/a\u003e\u003c\/p\u003e","brand":"Jules Cheret","offers":[{"title":"11 3\/8 in x 15 3\/4 in  \t29 cm x 40 cm","offer_id":20681077555254,"sku":"PL. 25","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/25_3b3f5148-30f0-42d9-a157-383aec9c5d59.jpg?v=1609878042"},{"product_id":"le-theatrophone","title":"Le Theatrophone","description":"\u003cspan\u003eOriginal lithograph from \"\u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/the-history-of-les-maitres-de-laffiche\"\u003eLes Maitres de L'Affiche\u003c\/a\u003e\u003cspan\u003e\" series. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted by Imprimerie Chaix, Paris, 1896. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003eFull size sold for $ 8625 US Poster Auctions International, N.Y. Nov 2002\u003c\/p\u003e\n\u003cp\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cimg height=\"295\" width=\"206\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Theatrophone_480x480.jpg?v=1644104226\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Theatrophone_480x480.jpg?v=1644104226\" data-mce-fragment=\"1\"\u003eLe théâtrophone\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. An illustration from \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eLe Magasin pittoresque\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1892)\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e“I can be visited in bed by the brook and the birds of [Beethoven’s] Pastoral Symphony,” wrote Marcel Proust because of the wonderful invention of the Théâtrophone. Clement Adler invented the prototype in 1881 (the first demonstrated use of binaural audio) to broadcast a Paris Opera performance to listeners at the Palais de l’Industrie. In 1890, however, the technology became commercially available—and Chéret’s poster was the definitive advertisement for it. In lightning-quick time, home subscriptions became available, while Théâtrophones were set up in hotels, restaurants, cafés, and vestibules throughout Paris. Fifty centimes bought you five minutes of live music straight from the Ópera Garnier. Today, 3D audio in headphones and VR is an innovation derived directly from the binaural audio innovation of the Théâtrophone, making this poster an important artifact in the history of the recording arts and sciences.\" (Rennert)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Theatrophone_2_480x480.jpg?v=1644104527\" alt=\"\" width=\"293\" height=\"195\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Theatrophone_2_480x480.jpg?v=1644104527\"\u003e\u003cbr\u003eThe theatrophone was a distant ancestor of the jukebox. An early telephonic device, it was originally used to \"broadcast\" music from the Paris Opera. Anyone who inserted a coin could listen to the music through earphones. Although the beautiful subject is a picture-perfect Cherette, she is uncharacteristically wearing black gloves, which Cheret probably provided so that he could more precisely render the use of the actual machine. The gentleman in the background is suggestively waiting, either for the woman — or to use the phone! \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Swann)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"This was the earliest example of live transmission for a fee, a subscriber could listen to an opera or a recital that was being picked up by a telephone hookup. The young woman doing the listening is one of Cheret's most charming models.\"\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Rennert, PAI-XXVII, 353)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"The achievement of Cheret was to create a world of explosive happiness, and to paste it on the walls of Paris. As a painter he will be remembered for what Huysmans calls his 'spirit of nervous gaiety', as a lithographer for his superb technique, and as a poster artist for being the ancestor of all modern advertising.\" \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Abdy p.36)\u003c\/a\u003e\u003c\/p\u003e","brand":"Jules Cheret","offers":[{"title":"11 3\/8 in x 15 3\/4 in  \t29 cm x 40 cm","offer_id":20681085485110,"sku":"PL. 33","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/33_8fd8f2c8-3ae1-4276-93a1-5ef682ef690e.jpg?v=1609878215"},{"product_id":"lamant-des-danseuses","title":"L'Amant des Danseuses","description":"\u003cspan\u003eOriginal lithograph from \"\u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/the-history-of-les-maitres-de-laffiche\"\u003eLes Maitres de L'Affiche\u003c\/a\u003e\u003cspan\u003e\" series. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted by Imprimerie Chaix, Paris, 1896. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003eAnother of the more famous dance posters by Cheret's along with \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/les-maitres-de-l-affiche\/products\/les-coulisses-de-lopera\"\u003ePL.37\u003c\/a\u003e (Greg)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"To what extent 'The Lover of Ballerinas' (L'Amant des Danseuses) is lost to the sands of time, but the poster prepared by Cheret for it's promotion remains as a colourful teaser of Svengalian proportions. The coltish dancer appears as if she is either unaware or unconcerned with the fact that she has come under the scrutiny of the shady title character as she gambols about, and even though the piece is alive with requisite Cheret brightness, there is an interesting tension created through his masterful composition. This poster was declared 'rare' by Sagot when he offered it in his (poster) catalogue. It was described as one of his masterpieces (chefs-d'oeuvre) and whereas most other posters were sold in the 3-10 franc range, this one fetched 20\" \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Rennert, PAI-XXVI, 337)\u003c\/a\u003e\u003c\/p\u003e","brand":"Jules Cheret","offers":[{"title":"11 3\/8 in x 15 3\/4 in  \t29 cm x 40 cm","offer_id":20681091809334,"sku":"PL. 45","price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/45_cff2ef6b-b80c-47f8-8753-7c0731420959.jpg?v=1609880823"},{"product_id":"fete-de-charite-au-benefice-de-la-societe-de-secours-aux-families-de-marins-naufrages","title":"Fete de Charite au benefice de la Societe de Secours aux Families de Marins naufrages","description":"\u003cspan\u003eOriginal lithograph from \"\u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/the-history-of-les-maitres-de-laffiche\"\u003eLes Maitres de L'Affiche\u003c\/a\u003e\u003cspan\u003e\" series. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted by Imprimerie Chaix, Paris, 1897. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003e\"This poster serves as an appeal for the families of French sailors lost at sea; the charity fete was held at the Palais du Trocadero. However, even without the bottom text banner, Cheret's moving scene has a mute appeal that says it all\" \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Rennet, PAI-XXXVII, 231)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA deeply moving poster, done in sombre tones, that shows a young boy crying out for help from his distraught mother's arms. Behind them another mother and child watch anxiously as rescuers work to save the men from a shipwreck, while the sea rages mercilessly. This design is in stark contrast to the bright dancing beauties we expect from Cheret. Not unlike the master Steinlen, in his compassionate handling of this serious subject (see \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/les-maitres-de-l-affiche\/products\/le-coupable\"\u003ePL.134\u003c\/a\u003e).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eText reads, 'Charity ball given at the Tracadero Palace, June 14, 1890, for the benefit of the Aid Society for Families of Shipwrecked Sailors; 87 rue Richelieu (Paris) Founded by Mr. Alfred de Courcy\u003c\/p\u003e","brand":"Jules Cheret","offers":[{"title":"11 3\/8 in x 15 3\/4 in  \t29 cm x 40 cm","offer_id":20681144893494,"sku":"PL. 89","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/89_73e0d112-3e5d-47a3-bad5-a9ef9108682e.jpg?v=1609881237"},{"product_id":"1st-bal-masque","title":"1st Bal Masque","description":"\u003cspan\u003eOriginal lithograph from \"\u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/the-history-of-les-maitres-de-laffiche\"\u003eLes Maitres de L'Affiche\u003c\/a\u003e\u003cspan\u003e\" series. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted by Imprimerie Chaix, Paris, 1898. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003e\"Like virtually all of the posters Cheret did for the dances at this theatre between 1892 and 1897, the design features a profiled woman in a billowing dress looking out over her shoulder as a …male figure and other revellers dance around her. Cheret would do a single design each winter and it would be repeated with varying text throughout the season… Cheret, reworking the same visual ingredients always keeps us interested\" \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Rennert, PAI-XXXI, 393)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Extremely vivid colours add to the appeal of this festive Cheret design…Spring has sprung and the feeling of agitated movement coupled with flirtatious possibilities is masterfully conveyed\" \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Rennert, PAI-XXIX, 294)\u003c\/a\u003e\u003c\/p\u003e","brand":"Jules Cheret","offers":[{"title":"11 3\/8 in x 15 3\/4 in  \t29 cm x 40 cm","offer_id":20681295724598,"sku":"PL. 105","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/105.jpg?v=1609865551"},{"product_id":"aux-buttes-chaumont","title":"Aux Buttes Chaumont","description":"\u003cspan\u003eOriginal lithograph from \"\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/the-history-of-les-maitres-de-laffiche\"\u003eLes Maitres de L'Affiche\u003c\/a\u003e\"\u003c\/span\u003e\u003cspan\u003e series. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted by Imprimerie Chaix, Paris, 1898. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003eA variation of the \"Aux Buttes Chaumont\" poster as seen on the popular TV show \u003cstrong\u003e\"Friends\"\u003c\/strong\u003e which hung in Monica and Rachel's apartment.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Monicas_apartment.jpg?16709\" width=\"152\" height=\"109\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIt is one of aproximately 42 advertising posters that Cheret designed for the Paris department store \"Aux Buttes Chaumont,\" starting around 1878.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"The composition is essentially a grouping of figures loosely connects in order to take advantage of the enormous verticality of the poster. It's the scale and Cheret's details that are so winning here: the pointy-chinned dolls (in matching costume), the bucktoothed kinship of the two little girls, their hairdos wild with excitement. Cheret often portrayed children in his posters, largely for such toys and gift sale announcements\" \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Paris 1900, p.152)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"The joy of the little ones in possession of their playthings is contagious\" \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Hiatt p.34)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThere are three of these wonderful Aux Buttes Chamont store posters advertising toys and gifts included in the Mâitre de l'Affiche series (see \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/les-maitres-de-l-affiche\/products\/aux-buttes-chaumont-1\"\u003ePL. 169\u003c\/a\u003e \u0026amp; \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/les-maitres-de-l-affiche\/products\/aux-buttes-chaumont-2\"\u003ePL.185\u003c\/a\u003e).\u003c\/p\u003e","brand":"Jules Cheret","offers":[{"title":"11 3\/8 in x 15 3\/4 in  \t29 cm x 40 cm","offer_id":20681382821942,"sku":"PL. 141","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/141.jpg?v=1609867403"},{"product_id":"exhibition-of-arabs-of-the-sahara-desert","title":"Exhibition of Arabs of the Sahara Desert","description":"\u003cspan\u003eOriginal lithograph from \"\u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/the-history-of-les-maitres-de-laffiche\"\u003eLes Maitres de L'Affiche\u003c\/a\u003e\u003cspan\u003e\" series. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted by Imprimerie Chaix, Paris, 1899. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003eFor the 'Exhibition of Arabs of the Sahara Dessert\" at the famous Hippodrome, an open-air arena for equestrian sports and games. Cheret masterfully depicts a threatening native rider, in full charge, atop a magnificent steed. With his cape billowing behind him, the rider's sabre is raised with one hand, rifle held in the other (a third hand might be needed by a lesser rider to guide the horse). A wonderfully powerful, masculine departure from Cheret's dancing fairies we have become so intimate with in his posters\u003c\/p\u003e","brand":"Jules Cheret","offers":[{"title":"11 3\/8 in x 15 3\/4 in  \t29 cm x 40 cm","offer_id":20681505341494,"sku":"PL. 177","price":225.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/177a.jpg?v=1610213342"},{"product_id":"le-pays-des-fees","title":"Le Pays des Fees","description":"\u003cspan\u003eOriginal lithograph from \"\u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/the-history-of-les-maitres-de-laffiche\"\u003eLes Maitre de L'Affiche\u003c\/a\u003e\u003cspan\u003e\" series. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted by Imprimerie Chaix, Paris, 1899.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003e\"A children's attraction at the 1889 World's Fair in Paris, 'The Land of the Fairies,' could serve virtually as a theme for much of Cheret's work, It's these happy, soaring fairies that remain his most memorable legacy. A delicate explosion of yellows, reds and blues. \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Rennert, PAI-XXXI, 392)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"The achievement of Cheret was to create a world of explosive happiness, and to paste it on the walls of Paris. As a painter he will be remembered for what Huysmans calls his 'spirit of nervous gaiety', as a lithographer for his superb technique, and as a poster artist for being the ancestor of all modern advertising.\" \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Abdy p.36)\u003c\/a\u003e\u003c\/p\u003e","brand":"Jules Cheret","offers":[{"title":"11 3\/8 in x 15 3\/4 in  \t29 cm x 40 cm","offer_id":20681509929014,"sku":"PL. 181","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/181.jpg?v=1610132244"},{"product_id":"musee-des-arts-decoratifs-louvre","title":"Musee des Arts decoratifs, Louvre","description":"\u003cspan\u003eLithograph \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003efrom the \"Affiches Originales\" series. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted by Mourlot Freres in Paris, 1959.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(or by Air Post at cost)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003e\"Chagall's first colour lithographs had been drawn whilst he was in New York but it was in the stimulating atmosphere of the Mourlot studio, where Picasso had found such inspiration from 1945, that Chagall's real pleasure in the medium of colour lithography came to full fruition in the years from the beginning of the 1950's.\" (Weston)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDuring the 1950s the renowned French printer, Mourlot Freres, printed most of the \"original\" posters of the most important artists of the day. In 1959 they printed the series \"Affiches Originales\" for collectors. They are reduced lithographic versions of the \"original\" posters created by the contemporary masters, Picasso, Chagall, Braque, Matisse, Miro, Leger, and Dufy.\u003c\/p\u003e","brand":"Marc Chagall","offers":[{"title":"9 1\/4 in x 12 1\/2 in  \t23.5 cm x 32 cm","offer_id":20681860120630,"sku":"MP. 99","price":195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/mp99_a.jpg?v=1561135295"},{"product_id":"chagall-maeght-gallery-paris","title":"Chagall, Maeght Gallery, Paris","description":"\u003cspan\u003eLithograph \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003efrom the \"Affiches Originales\" series. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted by Mourlot Freres in Paris, 1959.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSigned in the plate. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003e\"Chagall's first colour lithographs had been drawn whilst he was in New York but it was in the stimulating atmosphere of the Mourlot studio, where Picasso had found such inspiration from 1945, that Chagall's real pleasure in the medium of colour lithography came to full fruition in the years from the beginning of the 1950's.\" (Weston)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDuring the 1950s the renowned French printer, Mourlot Freres, printed most of the \"original\" posters of the most important artists of the day. In 1959 they printed the series \"Affiches Originales\" for collectors. They are reduced lithographic versions of the \"original\" posters created by the contemporary masters, Picasso, Chagall, Braque, Matisse, Miro, Leger, and Dufy.\u003c\/p\u003e","brand":"Marc Chagall","offers":[{"title":"9 1\/4 in x 12 1\/2 in  \t23.5 cm x 32 cm","offer_id":20681865396278,"sku":"MP. 14","price":195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/mp14_a.jpg?v=1561135342"},{"product_id":"modern-art-1","title":"Modern Art","description":"\u003cspan\u003eOriginal lithograph from the \u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/das-moderne-plakat\"\u003e\"Das Moderne Plakat\"\u003c\/a\u003e\u003cspan\u003e series, \u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/das-moderne-plakat\"\u003eView entire collection\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e(50) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted by Verlag von Gerhard Kuhtmann, Dresden, 1897.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003e\"One of the most important painters and teachers at the turn of the century. Trained in France, he was a painter of conventional landscapes in a Barbizon style up until 1891. That year, a book of Hokusai's prints led him to Ernest Fenollosa, curator of Japanese art at Boston's Museum of Fine Arts, from whom he gained a thorough understanding of Japanese composition. His ability to combine the two traditions brought him critical acclaim…Dow designed…the most original and beautifully printed poster of the decade, a triumph of lithographic printing by Boston's Louis Prang and company (for the magazine 'Modern Art'). \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Lauder p.186)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Dow.jpg?16711\" width=\"77\" height=\"105\" border=\"1\"\u003e\u003c\/p\u003e\n\u003ch6\u003eArthur Wesley Dow\u003c\/h6\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAn influential artist and teacher, Dow's own work was heavily influenced by the \"floating world\" (ukiyo-e), of the Japanese woodblock masters and other Asian art influences, as well as the Arts and Crafts movement of William Morris in England. A teacher at many of America's most prominent art institutions (Pratt Institute, Columbia University Teachers College, the Arts Student's League, and his own Ipswich Summer School of Art), Dow's influence spread far and wide, including Georgia O'Keeffe, who was his most famous inspiration. Perhaps his most lasting gift to the art world was his 1899 manual, Composition: A Series of Exercises in Art Structure for the Use of Students and Teachers, which became a standard art text at schools across the nation. Dow's most famous poster, reproduced in the Maitres de l'Affiche was for the magazine entitled Modern Art . (\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003eSwann\u003c\/a\u003e Sale 2016, Lot 40)\u003c\/p\u003e","brand":"Arthur W. Dow","offers":[{"title":"8 1\/2 in x 11 1\/4 in  \t21 cm x 29 cm","offer_id":20692460961846,"sku":"PM. 41","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/pm41.jpg?v=1561300712"},{"product_id":"hawker","title":"Hawker","description":"\u003cp\u003e\u003cspan\u003eOriginal\u003c\/span\u003e\u003cspan\u003e Lithograph from \"London Types\"\u003cbr\u003ePrinted by William Heinemann, London 1898\u003cbr\u003eView the Complete Set and more works at the \u003ca href=\"https:\/\/www.yaneff.com\/collections\/nicholson\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.yaneff.com\/collections\/nicholson\"\u003eNicholson Collection\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003e\u003cstrong\u003eKensington \u003c\/strong\u003eby W.E. Henley (British poet, 18949-1903) from \"London Types\" \u003c\/p\u003e\n\u003cbr\u003e\u003ci\u003e\u003ci\u003eFar out of bounds he's figured-in a race\u003cbr\u003eOf West-End traffic pitching to his loss.\u003cbr\u003eBut, if you'd see him, in his proper place,\u003cbr\u003eMaking the browns for bub and grub and doss,\u003cbr\u003eGo East among the merchants and their men,\u003cbr\u003eAnd where the press is noisiest, and the tides\u003cbr\u003eOf trade run highest and widest, there and then\u003cbr\u003eYou shall behold him, edging with equal strides\u003cbr\u003eAlong the kerb; hawking in either hand\u003cbr\u003eSome artful nothing made of twine and tin,\u003cbr\u003eCardboard and foil and bits of rubber band:\u003cbr\u003eSome penn'orth of wit-in-fact that, with a grin,\u003cbr\u003eThe careful; City marvels at, and buys\u003cbr\u003eFor nurselings in the Suburbs to despise!\u003cbr\u003e\u003c\/i\u003e\u003c\/i\u003e\u003ci\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Nicholson_480x480.jpg?v=1617995908\" alt=\"\" width=\"170\" height=\"177\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Nicholson_480x480.jpg?v=1617995908\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff2a00;\"\u003e\"Nicholson’s portfolio of London characters anticipated even the boldest of contemporary graphics with an approach to design that pulled no punches. Little wonder, then, that by the turn of the century, and at the age of just twenty-six, he was touted as Britain’s greatest living printmaker.\"  (goldmarkart.com)\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Hawker_480x480.jpg?v=1618337849\" alt=\"\" width=\"198\" height=\"268\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Hawker_480x480.jpg?v=1618337849\"\u003eA street hawker on a London street. ca.1905\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\"William Nicholson's woodblock prints of the 1890's were amongst the most revolutionary British print images of the era. They used a treatment of form, with a stylized simplification of shape, and a handling of perspective and picture space which had had no precedent in British art. Influences of Japanese art, and a parallel thinking to, if not a direct knowledge of, the ideas of Toulouse Lautrec and of the Nabis painters in Paris at the same period can certainly be felt, although there is no record that Nicholson had actually studied either at this date. \u003cbr\u003e\u003cbr\u003eOne of the most famous of the groups of prints that Nicholson cut at this period was the series known as 'London Types'. This was made at the instigation of William Heinemann, who published all William Nicholson's early prints. The series portrays typical figures from London life of the period. The girls who sat with the baskets of flowers for sale were a familiar sight near 'Rotten Row' where the fashionable people of London society rode out on their horses at the edge of Hyde Park by Park Lane. The impressions of this popular edition were printed by taking a transfer from his woodblock onto a lithographic stone and adding lithograph colour\" (\u003ca href=\"https:\/\/www.yaneff.com\/html\/history\/reference.html\"\u003eWeston\u003c\/a\u003e) \u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sir William Nicholson","offers":[{"title":"10 3\/8 in x 13 in  \t26.4 cm x 33 cm","offer_id":20697751060534,"sku":"NLT. 08","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/nlt8_a.jpg?v=1561356001"},{"product_id":"drum-major","title":"Drum-Major","description":"\u003cp\u003e\u003cspan\u003eOriginal\u003c\/span\u003e\u003cspan\u003e Lithograph from \"London Types\"\u003cbr\u003ePrinted by William Heinemann, London 1898\u003cbr\u003eView the Complete Set and more works at the \u003ca href=\"https:\/\/www.yaneff.com\/collections\/nicholson\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.yaneff.com\/collections\/nicholson\"\u003eNicholson Collection\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eWimbledon Common \u003cbr\u003e\u003c\/strong\u003eby W.E. Henley (British poet, 18949-1903) from \"London Types\"\u003c\/span\u003e \u003c\/p\u003e\n\u003cbr\u003e\u003ci\u003e\u003ci\u003eWho says Drum-Major says a man of mould,\u003cbr\u003eShaking the meek earth with tremendous tread,\u003cbr\u003eAnd pacing still, a triumph to behold,\u003cbr\u003eOf his own spine at least two yards ahead!\u003cbr\u003eAttorney, grocer, surgeon, broker, duke-\u003cbr\u003eHis calling may be anything, who comes\u003cbr\u003eInto a room, his presence a rebuke\u003cbr\u003eTo the dejected,as the pipes and drums\u003cbr\u003eInspired his port! - who mounts his office stairs\u003cbr\u003eAs though he led great armies to the fight!\u003cbr\u003eHis bulk itself's pure genius, and he wears\u003cbr\u003eHis avoirdupois with so much fire and spright\u003cbr\u003eThat, though the creature stands but five feet five, \u003cbr\u003eYou take him for the tallest He alive.\u003cbr\u003e\u003c\/i\u003e\u003c\/i\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Nicholson_480x480.jpg?v=1617995908\" alt=\"\" width=\"170\" height=\"177\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Nicholson_480x480.jpg?v=1617995908\" data-mce-fragment=\"1\" data-mce-selected=\"1\"\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff2a00;\"\u003e\"Nicholson’s portfolio of London characters anticipated even the boldest of contemporary graphics with an approach to design that pulled no punches. Little wonder, then, that by the turn of the century, and at the age of just twenty-six, he was touted as Britain’s greatest living printmaker.\"  (goldmarkart.com)\u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Drum-Major_ca8f01cc-0844-4e85-ad6b-4cfbb7ac6b53_480x480.jpg?v=1618332878\" alt=\"\" width=\"182\" height=\"271\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Drum-Major_ca8f01cc-0844-4e85-ad6b-4cfbb7ac6b53_480x480.jpg?v=1618332878\"\u003eDrum Major Goodman, London Scottish regiment ca.1896\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDrum Major Goodman \u003c\/strong\u003eand the\u003cstrong\u003e \u003c\/strong\u003ePipes and Drums were a fixture of Victorian society, playing at prestigious events throughout the era, include Queen Victoria’s Gold and Diamond Jubilee parades, where troops from around the Empire paraded through the streets of London, with over three million spectators in attendance.  ‘Big Drum Major’ Goodman was a household name throughout this period, with a famous music hall song  written in his honour. In fact, the Pipes and Drums were held in such high regard that they were often given the honour of playing London Scottish troops past on parade, where all other volunteer regiments would be played past by the Band of the Household Division or the senior band on parade. (londonscottishregt.org)\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"William Nicholson's woodblock prints of the 1890's were amongst the most revolutionary British print images of the era. They used a treatment of form, with a stylised simplification of shape, and a handling of perspective and picture space which had had no precedent in British art. Influences of Japanese art, and a parallel thinking to, if not a direct knowledge of, the ideas of Toulouse Lautrec and of the Nabis painters in Paris at the same period can certainly be felt, although there is no record that Nicholson had actually studied either at this date. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the most famous of the groups of prints that Nicholson cut at this period was the series known as 'London Types'. This was made at the instigation of William Heinemann, who published all William Nicholson's early prints. The series portrays typical figures from London life of the period. Such as the girls who sat with the baskets of flowers for sale who were a familiar sight near 'Rotten Row' where the fashionable people of London society rode out on their horses at the edge of Hyde Park by Park Lane. The impressions of this popular edition were printed by taking a transfer from his woodblock onto a lithographic stone and adding lithograph colour\" (Weston)\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e","brand":"Sir William Nicholson","offers":[{"title":"10 3\/8 in x 13 in  \t26.4 cm x 33 cm","offer_id":20697752961078,"sku":"NLT. 09","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/nlt9_a.jpg?v=1561356068"},{"product_id":"bluecoat-boy","title":"Bluecoat Boy","description":"\u003cspan data-mce-fragment=\"1\"\u003eOriginal\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e Lithograph from \"London Types\"\u003cbr data-mce-fragment=\"1\"\u003ePrinted by William Heinemann, London 1898\u003cbr\u003eView the Complete Set and more works at the \u003ca href=\"https:\/\/www.yaneff.com\/collections\/nicholson\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.yaneff.com\/collections\/nicholson\"\u003eNicholson Collection\u003c\/a\u003e\u003c\/span\u003e\u003c!-- split --\u003e\n\u003cp\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003cstrong\u003eNewgate Street\u003c\/strong\u003e\u003cem\u003e \u003cbr\u003e\u003c\/em\u003eby W.E. Henley (British poet, 18949-1903) from \"London Types\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSo went our boys when EDWARD VI, the King, \u003cbr\u003eChartered CHRIST'S HOSPITAL, and died, And so \u003cbr\u003eFull fifteen generations in a string \u003cbr\u003eOf heirs to his bequest have had to go. \u003cbr\u003eThus CAMDEN showed, and BARNES, and STILLINGFLEET, \u003cbr\u003eAnd RICHARDSON, that bade our LOVELACE be; \u003cbr\u003eThe little ELIA thus in NEWGATE STREET; \u003cbr\u003eThus to his GENEVIEVE young S.T.C. \u003cbr\u003eWith thousands else that, wandering up and down, \u003cbr\u003eQuaint, privileged, liked and reputed well, \u003cbr\u003eMade the great School a part of LONDON TOWN \u003cbr\u003ePatent as PAUL's and vital as BOW BELL: \u003cbr\u003eThe old School nearing exile, day by day, \u003cbr\u003eTo certain clay-lands somewhere HORSHAM way.\u003cbr\u003e\u003c\/em\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Nicholson_480x480.jpg?v=1617995908\" alt=\"\" width=\"170\" height=\"177\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Nicholson_480x480.jpg?v=1617995908\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff2a00;\"\u003e\"Nicholson’s portfolio of London characters anticipated even the boldest of contemporary graphics with an approach to design that pulled no punches. Little wonder, then, that by the turn of the century, and at the age of just twenty-six, he was touted as Britain’s greatest living printmaker.\" (goldmarkart.com)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/bluecoat_boy_480x480.jpg?v=1618339182\" alt=\"\" width=\"180\" height=\"256\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/bluecoat_boy_480x480.jpg?v=1618339182\"\u003e\u003cspan\u003e\u003cstrong\u003eB\u003c\/strong\u003e\u003c\/span\u003e\u003cb\u003eluecoat\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis a style of dress code, traditionally worn in\u003cspan\u003e \u003c\/span\u003eBluecoat schools\u003cspan\u003e \u003c\/span\u003e(English\u003cspan\u003e \u003c\/span\u003eprivate schools\u003cspan\u003e \u003c\/span\u003ederiving from\u003cspan\u003e \u003c\/span\u003echarity schools). The main element of the bluecoat is a long (dark blue or black) coat, belted at the waist, with\u003cspan\u003e \u003c\/span\u003ewhite neck decoration. Underneath a white shirt and grey shorts are worn, with knee-length socks and smart shoes.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\"William Nicholson's woodblock prints of the 1890's were amongst the most revolutionary British print images of the era. They used a treatment of form, with a stylised simplification of shape, and a handling of perspective and picture space which had had no precedent in British art. Influences of Japanese art, and a parallel thinking to, if not a direct knowledge of, the ideas of Toulouse Lautrec and of the Nabis painters in Paris at the same period can certainly be felt, although there is no record that Nicholson had actually studied either at this date.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne of the most famous of the groups of prints that Nicholson cut at this period was the series known as 'London Types'. This was made at the instigation of William Heinemann, who published all William Nicholson's early prints. The series portrays typical figures from London life of the period. Such as the girls who sat with the baskets of flowers for sale who were a familiar sight near 'Rotten Row' where the fashionable people of London society rode out on their horses at the edge of Hyde Park by Park Lane. The impressions of this popular edition were printed by taking a transfer from his woodblock onto a lithographic stone and adding lithograph colour\" (Weston)\u003c\/span\u003e\u003c\/p\u003e","brand":"Sir William Nicholson","offers":[{"title":"10 3\/8 in x 13 in  \t26.4 cm x 33 cm","offer_id":20697758695478,"sku":"NLT. 11","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/nlt11_a.jpg?v=1561356138"},{"product_id":"sandwich-man","title":"Sandwich-Man","description":"\u003cspan\u003eOriginal Lithograph from \"London Types\"\u003cbr data-mce-fragment=\"1\"\u003ePrinted by William Heinemann, London 1898.\u003cbr\u003eView the Complete Set and more works at the \u003ca href=\"https:\/\/www.yaneff.com\/collections\/nicholson\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.yaneff.com\/collections\/nicholson\"\u003eNicholson Collection\u003c\/a\u003e\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003e\u003cstrong\u003eTrafalgar Square\u003cbr\u003e\u003c\/strong\u003eby W.E. Henley (British poet, 18949-1903) from \"London Types\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAn ill March noon; the flagstones gray with dust; \u003cbr\u003eAn all-round east wind volleying straws and grit; \u003cbr\u003eSt Martin's steps, where every venomous gust \u003cbr\u003eLingers to buffet, or sneap, the passing cit; \u003cbr\u003eAnd in the gutter, squelching a rotten boot, \u003cbr\u003eDraped in a wrap that, modish ten year syne, \u003cbr\u003ePartners, obscene with sweat and grease and soot, \u003cbr\u003eA horrible hat, that once was just as fine; \u003cbr\u003eThe drunkard's mouth a-wash for something drinkable, \u003cbr\u003eThe drunkard's eye alert for casual 'toppers', \u003cbr\u003eThe drunkard's neck stooped to a lot scarce thinkable, \u003cbr\u003eA living, crawling blazoning of Hot Coppers, \u003cbr\u003eHe trails his mildews-with a Kingdom-Come \u003cbr\u003eCompact of 'sausage-and-mash' and 'two-o'rum!'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg height=\"177\" width=\"170\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Nicholson_480x480.jpg?v=1617995908\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Nicholson_480x480.jpg?v=1617995908\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-style=\"color: #ff2a00;\" data-mce-fragment=\"1\"\u003e\"Nicholson’s portfolio of London characters anticipated even the boldest of contemporary graphics with an approach to design that pulled no punches. Little wonder, then, that by the turn of the century, and at the age of just twenty-six, he was touted as Britain’s greatest living printmaker.\" (goldmarkart.com)\u003c\/span\u003e\u003c\/span\u003e \u003cbr\u003e\u003cimg height=\"316\" width=\"160\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/sandwichboard_man_480x480.jpg?v=1618340084\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/sandwichboard_man_480x480.jpg?v=1618340084\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eThe Sandwich man.\u003c\/strong\u003e \"Much like today, London was plastered with advertising, with armies of chalkers and 'external poster hangers' decorating blank walls, empty shops and wooden hoardings with advertising posters. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe combined inconveniences of an advertising tax and increased competition for poster space led advertisers to a simple conclusion - make the messages become mobile! \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDescribed by the writer William Weir as 'peripatetic placards'. Charles Dickens described these advertisers as a piece of human flesh between two slices of paste board.” (www.urban75.org)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"William Nicholson's woodblock prints of the 1890's were amongst the most revolutionary British print images of the era. They used a treatment of form, with a stylised simplification of shape, and a handling of perspective and picture space which had had no precedent in British art. Influences of Japanese art, and a parallel thinking to, if not a direct knowledge of, the ideas of Toulouse Lautrec and of the Nabis painters in Paris at the same period can certainly be felt, although there is no record that Nicholson had actually studied either at this date. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOne of the most famous of the groups of prints that Nicholson cut at this period was the series known as 'London Types'. This was made at the instigation of William Heinemann, who published all William Nicholson's early prints. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe series portrays typical figures from London life of the period.The girls who sat with the baskets of flowers for sale were a familiar sight near 'Rotten Row' where the fashionable people of London society rode out on their horses at the edge of Hyde Park by Park Lane. The impressions of this popular edition were printed by taking a transfer from his woodblock onto a lithographic stone and adding lithograph colour\" (\u003c\/span\u003e\u003ca href=\"https:\/\/www.yaneff.com\/html\/history\/reference.html\"\u003eWeston\u003c\/a\u003e\u003cspan\u003e) \u003c\/span\u003e\u003c\/p\u003e","brand":"Sir William Nicholson","offers":[{"title":"10 3\/8 in x 13 in  \t26.4 cm x 33 cm","offer_id":20697762267190,"sku":"NLT. 12","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/nlt12_a.jpg?v=1561356211"},{"product_id":"beefeater","title":"Beefeater","description":"\u003cspan\u003eOriginal Lithograph bookplate from \"London Types\" \u003cbr\u003ePrinted by William Heinemann, London 1898\u003cbr\u003eView the Complete Set and more works at the \u003ca href=\"https:\/\/www.yaneff.com\/collections\/nicholson\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.yaneff.com\/collections\/nicholson\"\u003eNicholson Collection\u003c\/a\u003e\u003c\/span\u003e\u003c!-- split --\u003e\n\u003cp\u003e\u003cstrong\u003eThe Tower \u003c\/strong\u003eby W.E. Henley (British poet, 18949-1903) from \"London Types\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHis beat lies knee-high through a dust of story\u003cbr\u003eA dust of terror and torture, grief and crime; \u003cbr\u003eGhosts that are ENGLAND's wonder, and shame, and glory, \u003cbr\u003eThrong where he walks, and antic of old time; \u003cbr\u003eA sense of long immedicable tears \u003cbr\u003eWere ever with him, could his ears but heed; \u003cbr\u003eThe stern 'Hic Jacets' of our bloodiest years \u003cbr\u003eAre for his reading, had he eyes to read, \u003cbr\u003eBut here, where CROOKBANK raged, and CRANMER trimmed, \u003cbr\u003eAnd MORE and STRAFFORD face the axe's proving, \u003cbr\u003eHe shows that Crown the desperate Colonel nimmed, \u003cbr\u003eOr simply keeps the Country Cousin moving, \u003cbr\u003eAnd stays such Cockney pencillers as would shame \u003cbr\u003eThe wall where some dead Queen hath traced her name.\u003cbr\u003e\u003c\/em\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Nicholson_480x480.jpg?v=1617995908\" alt=\"\" width=\"170\" height=\"177\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Nicholson_480x480.jpg?v=1617995908\" data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-style=\"color: #ff2a00;\"\u003e\u003cbr\u003e\"Nicholson’s portfolio of London characters anticipated even the boldest of contemporary graphics with an approach to design that pulled no punches. Little wonder, then, that by the turn of the century, and at the age of just twenty-six, he was touted as Britain’s greatest living printmaker.\"  (goldmarkart.com)\u003cbr\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Beefeater_18770e04-82bc-4082-baa5-4cbe40f32137_480x480.jpg?v=1618272354\" alt=\"\" width=\"170\" height=\"275\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Beefeater_18770e04-82bc-4082-baa5-4cbe40f32137_480x480.jpg?v=1618272354\"\u003e \u003cem\u003e\u003cspan style=\"color: #000000;\"\u003eca.1930 Colour Postcard. Yeoman of the Guard\/ Beefeater\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\"William Nicholson's woodblock prints of the 1890's were amongst the most revolutionary British print images of the era. They used a treatment of form, with a stylised simplification of shape, and a handling of perspective and picture space which had had no precedent in British art. Influences of Japanese art, and a parallel thinking to, if not a direct knowledge of, the ideas of Toulouse Lautrec and of the Nabis painters in Paris at the same period can certainly be felt, although there is no record that Nicholson had actually studied either at this date. \u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the most famous of the groups of prints that Nicholson cut at this period was the series known as 'London Types'. This was made at the instigation of William Heinemann, who published all William Nicholson's early prints. The series portrays typical figures from London life of the period. Such as the girls who sat with the baskets of flowers for sale who were a familiar sight near 'Rotten Row' where the fashionable people of London society rode out on their horses at the edge of Hyde Park by Park Lane. The impressions of this popular edition were printed by taking a transfer from his woodblock onto a lithographic stone and adding lithograph colour\" (Weston)\u003c\/span\u003e\u003c\/p\u003e","brand":"Sir William Nicholson","offers":[{"title":"10 3\/8 in x 13 in  \t26.4 cm x 33 cm","offer_id":20697769279542,"sku":"NLT. 02","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/nlt2_a.jpg?v=1561356281"},{"product_id":"lady-1","title":"Lady","description":"\u003cp\u003e\u003cspan\u003eOriginal\u003c\/span\u003e\u003cspan\u003e Lithograph from \"London Types\"\u003cbr\u003ePrinted by William Heinemann, London 1898\u003cbr\u003eView the Complete Set and more works at the \u003ca href=\"https:\/\/www.yaneff.com\/collections\/nicholson\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.yaneff.com\/collections\/nicholson\"\u003eNicholson Collection\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003e\u003cstrong\u003eRotten Row \u003c\/strong\u003eby W.E. Henley (British poet, 18949-1903) from \"London Types\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTIME, the old humourist, has a trick to day \u003cbr\u003eOf moving landmarks and of levelling down, \u003cbr\u003eTill into town the Suburbs edge their way, \u003cbr\u003eAnd in the suburbs you may scent the Town. \u003cbr\u003eWith MOUNT ST. thus approaching MUSWELL HILL, \u003cbr\u003eAnd CLAPHAM COMMON marching with the MILE, \u003cbr\u003eYou get a HAMMERSMITH that 'fills the bill',\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eA HAMPSTEAD with a serious sense of style.\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eSo this fair creature, pictured in 'The Row', \u003cbr\u003eAs one of that \"gay adulterous world\", whose round \u003cbr\u003eIs by the SERPENTINE, as readily be found \u003cbr\u003eOn STREATHAM's Hill, or WIMBLEDON's, or where \u003cbr\u003eBrixtonian kitchens lard the late-dining air.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg height=\"177\" width=\"170\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Nicholson_480x480.jpg?v=1617995908\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Nicholson_480x480.jpg?v=1617995908\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-style=\"color: #ff2a00;\"\u003e\u003cbr\u003e\"Nicholson’s portfolio of London characters anticipated even the boldest of contemporary graphics with an approach to design that pulled no punches. Little wonder, then, that by the turn of the century, and at the age of just twenty-six, he was touted as Britain’s greatest living printmaker.\"  (goldmarkart.com)\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Rotten_row_480x480.jpg?v=1618331902\" alt=\"\" width=\"250\" height=\"157\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Rotten_row_480x480.jpg?v=1618331902\"\u003eRotten Row\u003c\/b\u003e is a broad track running along the south side of Hyde Park in London. It leads from Hyde Park Corner to Serpentine Road. During the 18th and 19th centuries, Rotten Row was a fashionable place for upper-class Londoners to be seen horse riding.\u003cbr\u003e\u003cbr\u003e\"William Nicholson's woodblock prints of the 1890's were amongst the most revolutionary British print images of the era. They used a treatment of form, with a stylised simplification of shape, and a handling of perspective and picture space which had had no precedent in British art. Influences of Japanese art, and a parallel thinking to, if not a direct knowledge of, the ideas of Toulouse Lautrec and of the Nabis painters in Paris at the same period can certainly be felt, although there is no record that Nicholson had actually studied either at this date. \u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the most famous of the groups of prints that Nicholson cut at this period was the series known as 'London Types'. This was made at the instigation of William Heinemann, who published all William Nicholson's early prints. The series portrays typical figures from London life of the period. Such as the girls who sat with the baskets of flowers for sale who were a familiar sight near 'Rotten Row' where the fashionable people of London society rode out on their horses at the edge of Hyde Park by Park Lane. The impressions of this popular edition were printed by taking a transfer from his woodblock onto a lithographic stone and adding lithograph colour\" (Weston)\u003c\/span\u003e\u003c\/p\u003e","brand":"Sir William Nicholson","offers":[{"title":"10 3\/8 in x 13 in  \t26.4 cm x 33 cm","offer_id":20697780092982,"sku":"NLT. 05","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/nlt5_a.jpg?v=1561356356"},{"product_id":"barmaid","title":"Barmaid","description":"\u003cp\u003eOriginal Lithograph from \"London Types\" \u003cbr\u003ePrinted by William Heinemann, London 1898\u003cbr\u003eView the Complete Set and more works at the \u003ca href=\"https:\/\/www.yaneff.com\/collections\/nicholson\"\u003eNicholson Collection\u003c\/a\u003e\u003c\/p\u003e\n\u003c!-- split --\u003e\n\u003cp\u003e\u003cstrong\u003eAny Bar \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eby W.E. Henley (British poet, 18949-1903) from \"London Types\"\u003c\/span\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"color: #000000;\" data-mce-style=\"color: #000000;\"\u003e\u003cbr\u003e\u003cem\u003eThough, if you ask her name, she ELISE, \u003cbr\u003eBeing plain ELIZABETH, e'en let it pass,\u003cbr\u003eAnd own that, if her aspirates take their ease \u003cbr\u003eShe ever makes a point, in washing glass, \u003cbr\u003eHandling the engine, turning taps for tots, \u003cbr\u003eAnd countering change, and scorning what men say, \u003cbr\u003eOf posing as a dove among the pots, \u003cbr\u003eNor often gives her dignity away. \u003cbr\u003eHer head's a work of art: and, if her eyes \u003cbr\u003eBe tired and ignorant, she has a waist; \u003cbr\u003eCheaply the mode she shadows; and she tries \u003cbr\u003eFrom penny novels to amend her taste; \u003cbr\u003eAnd, having mopped the zinc for certain years, \u003cbr\u003eAnd faced the gas, she fades and disappears.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Nicholson_480x480.jpg?v=1617995908\" alt=\"\" width=\"170\" height=\"177\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Nicholson_480x480.jpg?v=1617995908\"\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-style=\"color: #ff2a00;\"\u003e\"Nicholson’s portfolio of London characters anticipated even the boldest of contemporary graphics with an approach to design that pulled no punches. Little wonder, then, that by the turn of the century, and at the age of just twenty-six, he was touted as Britain’s greatest living printmaker.\"  (goldmarkart.com)\u003cbr\u003e\u003cimg height=\"149\" width=\"210\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Barmaid_480x480.jpg?v=1618276443\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/files\/Barmaid_480x480.jpg?v=1618276443\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cem\u003eUn bar aux Folies Bergère\u003c\/em\u003e\u003cem\u003e by \u003c\/em\u003e\u003cem\u003eEdouard Manet 1882\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\"William Nicholson's woodblock prints of the 1890's were amongst the most revolutionary British print images of the era. They used a treatment of form, with a stylised simplification of shape, and a handling of perspective and picture space which had had no precedent in British art. Influences of Japanese art, and a parallel thinking to, if not a direct knowledge of, the ideas of Toulouse Lautrec and of the Nabis painters in Paris at the same period can certainly be felt, although there is no record that Nicholson had actually studied either at this date. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the most famous of the groups of prints that Nicholson cut at this period was the series known as 'London Types'. This was made at the instigation of William Heinemann, who published all William Nicholson's early prints. The series portrays typical figures from London life of the period. Such as the girls who sat with the baskets of flowers for sale who were a familiar sight near 'Rotten Row' where the fashionable people of London society rode out on their horses at the edge of Hyde Park by Park Lane. The impressions of this popular edition were printed by taking a transfer from his woodblock onto a lithographic stone and adding lithograph colour\" (Weston) \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Sir William Nicholson","offers":[{"title":"10 3\/8 in x 13 in  \t26.4 cm x 33 cm","offer_id":20697791856694,"sku":"NLT. 03","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/nlt3_a.jpg?v=1561356508"},{"product_id":"chocolate-carpentier","title":"Chocolate Carpentier","description":"\u003cspan\u003eOriginal lithograph from \"\u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/the-history-of-les-maitres-de-laffiche\"\u003eLes Maitres de L'Affiche\u003c\/a\u003e\u003cspan\u003e\" series. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted by Imprimerie Chaix, Paris, 1897. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003eFull size sold for $1,955 US Poster Auctions International, NY. May 2008\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAll eyes are focused on the steaming bowl of Carpentier Chocolat. From the white dog that stretches up to reach it, to the black cat who seems ready to drink. The cat's upright tail is an ingenious part of the floating text which hovers among the wondrous white wisps of steam, that radiate up from the bowl. Even the baby, who pushes away from the weary nursemaid during nursing, reaches out wildly for his preferred nourishment. Henri Gerbault creates a heart-warming memorable design, in keeping with the great master Steinlen's two most famous images (\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/steinlen\/products\/lait-pur-sterilise-de-la-vingeanne\"\u003ePL.95\u003c\/a\u003e and \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/steinlen\/products\/chocolate-de-la-compagnie-francaise\"\u003ePL. 170\u003c\/a\u003e).\u003c\/p\u003e","brand":"H. Gerbault","offers":[{"title":"11 3\/8 in x 15 3\/4 in  \t29 cm x 40 cm","offer_id":20699645902902,"sku":"PL. 83","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/83.jpg?v=1610403517"},{"product_id":"lessive-figaro","title":"Lessive Figaro","description":"\u003cspan\u003eOriginal lithograph from \"\u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/the-history-of-les-maitres-de-laffiche\"\u003eLes Maitres de L'Affiche\u003c\/a\u003e\u003cspan\u003e\" series. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted by Imprimerie Chaix, Paris, 1897.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex.  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003eA brilliant design of a lady performer atop a package of Figaro detergent (the antiseptic one). She is hanging a white sheet across what could be her tightrope, set against a stylized setting\/rising sun. Strong background colours contrast with the brilliant white of the sheet to emphasis the quality of the detergent. The package is accurately detailed.\u003c\/p\u003e","brand":"Leo Gausson","offers":[{"title":"11 3\/8 in x 15 3\/4 in  \t29 cm x 40 cm","offer_id":20699646591030,"sku":"PL. 71","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/71.jpg?v=1610402826"},{"product_id":"gigolette","title":"Gigolette","description":"\u003cspan\u003eOriginal lithograph from \"\u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/the-history-of-les-maitres-de-laffiche\"\u003eLes Maitres de L'Affiche\u003c\/a\u003e\u003cspan\u003e\" series. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted by Imprimerie Chaix, Paris, 1896.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003eGuilluame's poster for the Theâtre de l'Ambigu's production of 'Gigolette'. A very popular caricaturist as well, who contributed frequently for different French periodicals (including \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/the-history-of-le-rire\"\u003eLe Rire\u003c\/a\u003e). He became famous for his accuracy in capturing the varied types of Paris, as seen in the fetching pose of the free spirited working class girl set against a silhouetted crowd and the coloured lights of the night.\u003c\/p\u003e","brand":"Albert Guillaume","offers":[{"title":"11 3\/8 in x 15 3\/4 in  \t29 cm x 40 cm","offer_id":20699693776950,"sku":"PL. 30","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/30.jpg?v=1610329753"},{"product_id":"cafe-riche","title":"Cafe Riche","description":"\u003cspan\u003eOriginal lithograph from \"\u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/the-history-of-les-maitres-de-laffiche\"\u003eLes Maitres de L'Affiche\u003c\/a\u003e\u003cspan\u003e\" series. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted by Imprimerie Chaix, Paris, 1898. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003eThe text reads, \"Where are they taking her? To the hoosegow; evenings at 9, Cafe Riche, boulevard des Italiens.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Grun was insurpassable in capturing the insouciant spirit of the Paris cabaret; all his posters for the various places around town are among the best ever produced on the subject. This is a particularly fine, rare specimen for Cafe Riche, where, the text tells us, the smiling coquette is being escorted by the two gendarmes to see a piece called 'Au Violon.' One glance tells us everyone will have a terrific time\"\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Rennert, PAI-XXV, 330)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Grun lived in the bohemian quarter of Paris and frequented its many cafes and bars. Trained in decorative arts, he started to design their interiors and stage decors and soon was also producing posters. His revellers express the very mood of the Parisian tenderloin, light-headed, with fun occupying every thought. The women especially exude an aura of charm with a hint of naughtiness that is Grun's own\" \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Gold p.104)\u003c\/a\u003e\u003c\/p\u003e","brand":"Jules. A. Grun","offers":[{"title":"11 3\/8 in x 15 3\/4 in  \t29 cm x 40 cm","offer_id":20699707441206,"sku":"PL. 103","price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/103.jpg?v=1610420649"},{"product_id":"chauffons-chauffons","title":"Chauffons! Chauffons!","description":"\u003cspan\u003eOriginal lithograph from \"\u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/the-history-of-les-maitres-de-laffiche\"\u003eLes Maitres de L'Affiche\u003c\/a\u003e\u003cspan\u003e\" series. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted by Imprimerie Chaix, Paris, 1899. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 x 20 in. acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003e\"Grun's Montmartre is always exciting, with enticing women, amorous gentlemen and mainly a lot of light-hearted fun. This poster advertises a revue at the Pepiniere whose title can easily be translated as 'Let's get hot!' All that red, Grun's favourite colour, makes the invitation easy to accept\"\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Rennert, PAI-XXX, 517)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Grun lived in the bohemian quarter of Paris and frequented its many cafes and bars. Trained in decorative arts, he started to design their interiors and stage decors and soon was also producing posters. His revellers express the very mood of the Parisian tenderloin, light-headed, with fun occupying every thought. The women especially exude an aura of charm with a hint of naughtiness that is Grun's own\" \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Gold p.104)\u003c\/a\u003e\u003c\/p\u003e","brand":"Jules. A. Grun","offers":[{"title":"11 3\/8 in x 15 3\/4 in  \t29 cm x 40 cm","offer_id":20699708719158,"sku":"PL. 159","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/159.jpg?v=1610492907"},{"product_id":"dall-alaska-al-polonord","title":"Dall' Alaska al Polonord","description":"\u003cspan\u003eOriginal lithograph from the \u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/the-ricordi-portfolio\"\u003e\"Ricordi Portfolio\"\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted in Italy 1914. \u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/the-ricordi-portfolio\"\u003eView entire collection\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e(70)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 in x 20 in acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003e\"Hohenstein spent his whole career with Ricordi the great Italian publishing company. He began working there in 1889 designing sheet music covers for operas. Shortly thereafter he became art director of the firm and began to design posters. He had a large influence on the young artists who joined the studio (Metlicovitz, Dudovitch, Capiello, Laskoff, and others) many of whom went on to great renown. After work in the early 1890s, which clearly shows the influence of Jules Cheret, Hohenstein's work, incorporating elements of Mucha's art, began to find its own flamboyant style\" \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Swann)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis is a selection from the very rare commemorative portfolio published by the renowned Italian printer Ricordi in 1914. The portfolio consisted of 70 lithographic plates (smaller versions) of Ricordi's greatest posters printed between 1895 and 1914. Many of the images in the series are so rare that they can be found today in no other format. In the 1870s, Ricordi opened an in-house lithography shop to promote its operas and sheet music business. Ricordi quickly became the leading lithographer in Italy and by 1895 was creating posters for other clients such as Campari, the Milan newspaper Corriere della Sera, and the Mele Department store of Naples. Under the tutelage of Adolfo Hohenstein, a brilliant stable of artists emerged at Ricordi. Artists including \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/cappiello\"\u003eCappiello\u003c\/a\u003e, \u003ca href=\"\/collections\/caldanzano\"\u003eCaldanzano\u003c\/a\u003e, \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/cavaleri\"\u003eCavaleri\u003c\/a\u003e, \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/dudovich\"\u003eDudovich\u003c\/a\u003e, \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/laskoff\"\u003eLaskoff\u003c\/a\u003e, \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/metlicovitz\"\u003eMetlicovitz\u003c\/a\u003e and \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/mataloni\"\u003eMataloni\u003c\/a\u003e brought Art Nouveau, known as Stile Liberty in Italy, to a world class level. Much like the famous Maitre de L'Affiche series created by Cheret in Paris, this portfolio celebrated the rise of the poster - which in Italy was almost single-handedly accomplished by Ricordi. (www.internationalposter.com)\u003c\/p\u003e","brand":"Adolfo Hohenstein","offers":[{"title":"10 in x 14 in  \t25.5 cm x 35.5 cm","offer_id":20705178452022,"sku":"R.14","price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/r_14.jpg?v=1561468389"},{"product_id":"monte-carlo","title":"Monte Carlo","description":"\u003cspan\u003eOriginal lithograph from the \u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/the-ricordi-portfolio\"\u003e\"Ricordi Portfolio\"\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted in Italy 1914. \u003c\/span\u003e\u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/the-ricordi-portfolio\"\u003eView entire collection\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e(70)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePresented in 16 in x 20 in acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via Fedex. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCertificate of Authenticity.\u003c\/span\u003e \u003c!-- split --\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff0000;\"\u003eFull size sold for $4,600.00 Poster Auctions International NY May 2007. Extremely Rare.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"At the turn of the century Monaco was already considered to be the most elegant resort on the French Riviera, thanks in large part to the flair and dynamic presence of Mr. Blanc, the owner of the Casino and surrounding palaces. He understood the importance of advertising and commissioned the best artists of the day to help promote his properties. Mucha designed Monaco-Monte Carlo in 1897, as well as stock posters for his theatres, and Jules-Alexandre Grun and Hohenstein designed posters, each depicting the stylish and exotic activities that were available to wealthy patrons. Hohenstein's first effort was in 1900, promoting motorboat races. He followed that with this image touting the pigeon shooting tournaments in the region. The work is a soft-toned, elegant image showing an affluent couple surrounded by stylized, Art Nouveau motifs, including the unexpected depictions of the pigeons and ammunition\" \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/pages\/bibliography\"\u003e(Swann)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis is a selection from the very rare commemorative portfolio published by the renowned Italian printer Ricordi in 1914. The portfolio consisted of 70 lithographic plates (smaller versions) of Ricordi's greatest posters printed between 1895 and 1914. Many of the images in the series are so rare that they can be found today in no other format. In the 1870s, Ricordi opened an in-house lithography shop to promote its operas and sheet music business. Ricordi quickly became the leading lithographer in Italy and by 1895 was creating posters for other clients such as Campari, the Milan newspaper Corriere della Sera, and the Mele Department store of Naples. Under the tutelage of Adolfo Hohenstein, a brilliant stable of artists emerged at Ricordi. Artists including \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/cappiello\"\u003eCappiello\u003c\/a\u003e, \u003ca href=\"\/collections\/caldanzano\"\u003eCaldanzano\u003c\/a\u003e, \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/cavaleri\"\u003eCavaleri\u003c\/a\u003e, \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/dudovich\"\u003eDudovich\u003c\/a\u003e, \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/laskoff\"\u003eLaskoff\u003c\/a\u003e, \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/metlicovitz\"\u003eMetlicovitz\u003c\/a\u003e and \u003ca href=\"https:\/\/yaneff-usd.myshopify.com\/collections\/mataloni\"\u003eMataloni\u003c\/a\u003e brought Art Nouveau, known as Stile Liberty in Italy, to a world class level. Much like the famous Maitre de L'Affiche series created by Cheret in Paris, this portfolio celebrated the rise of the poster - which in Italy was almost single-handedly accomplished by Ricordi. (www.internationalposter.com)\u003c\/p\u003e","brand":"Adolfo Hohenstein","offers":[{"title":"10 in x 14 in  \t25.5 cm x 35.5 cm","offer_id":20705179041846,"sku":"R.07","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0152\/6018\/8726\/products\/r_07.jpg?v=1561468457"}],"url":"https:\/\/www.yaneff.com\/collections\/150-500.oembed?page=6","provider":"Yaneff.com","version":"1.0","type":"link"}