Plate: V. 12
Title: Mother and Child before Notre Dame
("Visions de Paris"series)
A+ Original lithograph.
Issued in VERVE Vol. VII, Nos. 27-28
Printed in Paris, Dec. 1952
Pulled on the presses of Mourlot.
Presented in 16 x 20 in. acid free, archival museum mat, with framing
labels. Ready to frame. Shipped boxed flat via Fedex.
Certificate of Authenticity.
See our Terms of Sale
(b&w image and poetry by Chagall on verso)
| Sheet Size:
||10.5 in x 14 in
||26.7 x 35.5 cm
Other's in "Visions de Paris" series V.13
"The extensive series of original Lithograph's Chagall did for Verve
Nos 27/28- Visions de Paris, was part of the outpouring of creativity
that coincided with the painter's return to France and celebrated
his love for it's capital…The artist introduces the Seine, Notre-Dame,
the Place de la Concorde, the Eiffel Tower, and the Arc de Triomphe
into his compositions, the way he did the houses of Vitebsk: the monumental
landscape of Paris becomes a constituent element in Chagall's imaginary
Chagall made the following remarks about the Visions de Paris cycle:
'Paris is a picture already painted. Instead, America still must be
painted.' And: 'The Paris which I dreamed in America and which I rediscovered,
enriched by new life, it's as if I had to be born again, dry my tears,
and start crying again… Visions de Paris which may be the same, yet
are not the same. Paris, mirror of my heart. Would that I could melt
away into her, and not be alone with myself"
(Verve: The Ultimate Review of Art and Literature (1937-1960)
page 239, 240)
Verve was published from 1937 to 1960. It was a leader for promoting
modern movements in art. Printed and published in Paris, this periodical
contained major articles on and by leading contemporary artists. Every
issue contains at least one original print created specifically for
the publication. Many of the most sought after original lithographs
of the twentieth century appeared in 1952 double number of Verve.
Including Marc Chagall's Visions
de Paris set, Andre Masson's, The Torrent, Henri Matisse's, The
Sadness of the King, Leger's, The Country Outing,
Miro's, The Dog Barking at the Moon and original
lithographs in both colors and black and white by Georges Braque,
Henri Laurens, Alberto Giacometti, Francisco Bores and Marcel Gromaire.
The New York Times Celebrates VERVE