"Pryde and Nicholson made an arresting design (now no longer
extant) in which the pictorial motif was a profile view of Hamlet
holding Yorick's skull

Sir Laurence Olivier as Hamlet (1948)
The figure of the Prince of Denmark, a silhouette cut out of black
paper, is composed of a flat, ungradated black that contrasts with
the pale tone of the lining of the robe and the bone white of the
skull. The severity of the silhouette is heightened by the angularity
of the outline, that of the feet and hair in particular showing
the characteristic effects of scissors. Although the forms are simplified
to a degree, some small-scale details (such as Hamlet's ring) are
important components of the composition (their first poster)

Edward Gordon Craig, British actor and director.
Played Hamlet at the Olympic Theatre,1897
(the actor) Edward Gordon Craig was to recall seeing the printing
of the poster taking place
'Nicholson printed the thing by
hand, quite amazingly. He had a long table and on this he laid a
great roll of brown paper, and unrolled it as he stencilled the
life-size figure of Hamlet over and over again. It was quite an
achievement, but just in Nicholson's line. Pryde was usually upstairs
in bed. Mrs Nicholson was preparing a three cornered steak.' These
were the circumstances in which the first product of the new partnership
was created"
(Beggarstaff p.18, 19)
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