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Artist: Sir William Nicholson
English (1872-1942)
Also known as Beggarstaff along with James Pryde, Scottish (1866-1941)
Plate: NLT. 01
Title: Coster

Description: Condition A. Original Lithograph bookplate from "London Types" Published by William Heinemann, London 1898.

Sheet Size: 10 3/8 in x 13 in
  26.4 cm x 33 cm
Terms of Sale
Price: $250.00 USD
On Sale: $195.00

Hammersmith

'Liza's old man's perhaps a little shady,
'Liza's old woman's prone to booze and cringe:
But 'Liza deems herself a perfect lady,
And proves it in her feathers and her fringe.
For 'Liza has a bloke her heart to cheer,
With pearlies and a barrer and a jack,
So all the vegetables of the year
Are duly represented on her back.
Her boots are sacrifices to her hats,
Which knock you over-like a load of brinks!

Her summer velvets dazzle WANSTEAD FLATS,
And cost, at times, a good eighteen-and-six.
Withal, outside the gay and giddy whirl,
'Liza's a stupid, straight, hard-working girl.

by W.E. Henley from "London Types"

"William Nicholson's woodblock prints of the 1890's were amongst the most revolutionary British print images of the era. They used a treatment of form, with a stylised simplification of shape, and a handling of perspective and picture space which had had no precedent in British art. Influences of Japanese art, and a parallel thinking to, if not a direct knowledge of, the ideas of Toulouse Lautrec and of the Nabis painters in Paris at the same period can certainly be felt, although there is no record that Nicholson had actually studied either at this date.

One of the most famous of the groups of prints that Nicholson cut at this period was the series known as 'London Types'. This was made at the instigation of William Heinemann, who published all William Nicholson's early prints.
The series portrays typical figures from London life of the period.The girls who sat with the baskets of flowers for sale were a familiar sight near 'Rotten Row' where the fashionable people of London society rode out on their horses at the edge of Hyde Park by Park Lane. The impressions of this popular edition were printed by taking a transfer from his woodblock onto a lithographic stone and adding lithograph colour" (Weston)

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