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Blindstamp lower right in margin
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Artist: Gustave-Max Stevens
(Belgian, 1871-1946) |
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Item: em36
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| Title: Solveig |
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Description: Cond.
A+, Original Lithograph,
issued by L'Estampe
Moderne
Issue Number 9, Dec. 1898.
Printed by F. Champenois, Paris.
Blindstamp lower right in margin.
Signed in the stone lower right.
Presented in 16 x 20 in. acid free, archival museum mat,
with framing labels. Ready to frame. Shipped boxed flat.
Certificate of Authenticity.
See our Terms
of Sale
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| Sheet Size: |
12 in x 16 in |
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30.5 cm x 40.5 cm |
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Price: temporarily out of
stock
(Like many of my most sought after images I am usually able to
locate this for clients. email me for a price estimate, Greg)
To Request |
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Gustave-Max Stevens was born in Saint-Josse-ten-Noode in Belgium.
He was a student of Jean Portaëls at the Brussels Beaux-Arts, and
then of Fernand Cormon at the Beaux-Arts, Paris. Gustave-Max Stevens
exhibited at the first Salon d'Art Idéaliste in 1896, and at the Salon
des Artistes Français. He won a bronze medal at the Exposition Universelle
in 1900. The art of Gustave-Max Stevens was influenced by the Pre-Raphaelites.
(Idbury Prints)
'Plage de Westende'
A travel poster by Stevens
Mucha Cover
Not unlike the Maitre de L'Affiche series, L'Estampe
Moderne was a portfolio printed between 1897-98, published
by Imprimerie Champenois, Paris, contained 24 monthly portfolios,
with four original lithographs in each. Each commissioned only for
this series. Some of the contributing artists included Mucha, Rhead,
Meunier, Ibels, Steinlen, Willette and Grasset.
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