Blindstamp lower right in margin
|Artist: Armand Point, French (1861-1932)
|Title: Légende dorée (Golden
A+, Original Lithograph,
issued by L'Estampe
Issue Number 5, Sept. 1897.
Printed by F. Champenois, Paris.
Blindstamp lower right in margin.
Signed in the stone lower left.
Presented in 16 x 20 in. acid free, archival museum mat,
with framing labels. Ready to frame. Shipped boxed flat.
Certificate of Authenticity.
See our Terms
| Sheet Size:
||12 in x 16 in
||30.5 cm x 40.5 cm
|Price: temporarily out of
(Like many of my most sought after images I am usually able to
locate this for clients. email me for a price estimate, Greg)
The Siren 1897, Armand Point
Armand Point was born in Algeria, but moved to Paris in 1888.
He was awarded a medal at the exhibition of the Salon des Artistes
Francais. He was influenced by Ruskin and the Pre-Raphaelites. In
1896 he founded a group called 'Hauteclaire', which produced under
his direction a large number of ornamental objects. He exhibited in
the Salon de la Rose+Croix from 1892-1896, defecting (in Peladan's
view) from the final one in 1897. He went back for technical and artistic
inspiration to Leonardo and Botticelli and felt that he was thereby
leading a revival of modern art. (Artmagick)
The story of Saint George and the dragon is one of
stories of the saints preserved in the Golden Legend.
The Golden Legend (Latin: Legenda Aurea or Legenda Sanctorum)
is a collection of fanciful hagiographies (biographies) by Jacobus
de Voragine that became a late medieval bestseller. It was likely
compiled around the year 1260.
Not unlike the Maitre de L'Affiche series, L'Estampe
Moderne was a portfolio printed between 1897-98, published
by Imprimerie Champenois, Paris, contained 24 monthly portfolios,
with four original lithographs in each. Each commissioned only for
this series. Some of the contributing artists included Mucha, Rhead,
Meunier, Ibels, Steinlen, Willette and Grasset.