Original lithograph on white wove paper
From the One Cent Life Portfolio
From edition of 2000
Printed by Maurice Beaudet, Paris, 1964
Published by E.W. Kornfield, Bern, Switzerland
Unsigned/unnumbered as issued
Poem upper left, Wallasse Ting
"Take good care of self"
Unobtrusive center vertical fold as issued
Included in the Catalogue Raisonné, “Robert Indiana Prints: A Catalogue Raisonné 1951-1991” Sheehan No. 32
Presented in acid free, archival museum mat, with framing labels. Ready to frame. Shipped boxed flat via FedEx.
Certificate of Authenticity. See Terms of Sale
"I've always been fascinated by numbers. Before I was seventeen years old, I had lived in twenty-one different houses. In my mind, each of those houses had a number." Robert Indiana
Robert Indiana and his iconic "Love" design.
"Robert Indiana one of the preeminent figures in American art since the 1960s, has played a central role in the development of assemblage art, hard-edge painting and Pop art. A self proclaimed “American painter of signs,” Indiana has created a highly original body of work that explores American identity, personal history and the power of abstraction and language, establishing an important legacy that resonates in the work of many contemporary artists who make the written word a central element of their oeuvre." (artnet.com)
Portfolio Cover by Lichtenstein
One Cent Life Portfolio
The 1964 One Cent Life Portfolio was written by Walasse Ting, edited by Sam Francis, and published by E.W. Kornfeld. This ambitious project of loose limited edition color lithographs, beautifully incorporates American Pop and European Expressionism.
See Greg's collection
The complete portfolio includes 62 original lithographs by Pierre Alechinsky, Karel Appel, Enrico Baj, Alan Davie, Jim Dine, Sam Francis, Robert Indiana, Asger Jorn, Roy Lichtenstein, Joan Mitchell, Claes Oldenburg, Mel Ramos, Robert Rauschenberg, Jean-Paul Riopelle, James Rosenquist, Antonio Saura, Bram Van Velde, Andy Warhol, Tom Wesselmann and other American and European POP artists.
"It very quickly became the manifesto of a new generation of painters and the expression of the new pictorial research that they were engaged in….” (Gemini Fine Books & Arts, Ltd.)